Archives Online at Indiana University

Search within this document:

 

Want to learn more?

  • Do you have a question about this collection?
  • Would you like to view the original items in this collection?
  • Are you seeking permission to publish or reproduce items in this collection?

Please contact the holding repository: Lilly Library, IU Bloomington

Email: liblilly@indiana.edu

Bookmark and Share

Welles mss., 1930-1950 (Bulk 1936-1947)


Series: Box 14 Films, 1939-1947 

Arranged chronologically by approximate beginning work date.

Includes projects on which work was begun but never completed. Correspondence regarding films is interfiled chronologically in the Correspondence section.


Folder 15-17 Heart of Darkness [1939] 

Scripts


Folder 18-19 Heart of Darkness

Production, financial, and publicity materials

See also Smiler with a Knife, B. 14, f. 27; Photographs


Folder 20-26 Smiler with a Knife [1939-1940] 

Scripts


Folder 27 Smiler with a Knife

Production and financial materials


Folder 28-29 Citizen Kane, 1940-1941 

Scripts


Box 15
Folder 1-6

Citizen Kane

Scripts


Folder 7 Citizen Kane

Photographs of story board


Folder 8-11 Citizen Kane

Production, financial and publicity materials

See also Tapes; Photographs; Oversize 14; Appendix A


Folder 12-15 Unnamed Mexican Story (Jan? 1941) 

Drafts of scripts, by Paul Trivers


Folder 16-22 Orson Welles No. 4 ("The Way to Santiago"?) (Feb., 1941-Mar., 1942) 

Scripts, production and financial materials


Box 16
Folder 1

previous hit   It's All True   next hit ; Love Story (Aug. 8, 1941) 

Scripts


Folder 2-5 The Magnificent Ambersons, Aug. 15, 1941-June 13, 1942 

Scripts


Folder 6 The Magnificent Ambersons

Story board


Folder 7-12 The Magnificent Ambersons

Production, financial, and publicity materials

See also Photographs


Folder 13-26 previous hit   It's All True   next hit (Aug. 20, 1941-Jan. 17, 1945) 

Scripts, story treatments, etc. Includes materials for "My Friend Bonito" by Norman Foster and John Fante, draft of previous hit   It's All True   next hit by Elliot Paul, treatment for Jump for Joy dictated by Duke Ellington, scripts for "Praça Onze" sequences, and scripts for "Samba."


Box 17
Folder 1-7

previous hit   It's All True   next hit

Scripts, story treatments, etc. Includes drafts for Charlie's American Bar, Michael Gard, and the Jangadeiros story.


Folder 8-11 previous hit   It's All True   next hit

Scores and music. Includes holograph scores of "Pan america & Folgo Nego" and "Carnaval" arranged by Paul Misraki.


Folder 12-13 previous hit   It's All True   next hit

Production materials. Includes contract materials for Jesús Solórzano and Jesús Vázquez


Folder 14-16 previous hit   It's All True   next hit

Financial materials


Folder 17-18 previous hit   It's All True   next hit

Scripts and story synopses submitted but not used


Folder 19 previous hit   It's All True   next hit

Miscellaneous


Folder 20-21 previous hit   It's All True   next hit

News stories, many by Tom Pettey


Folder 22-34 previous hit   It's All True   next hit

Clippings


Box 18
Folder 1-10

previous hit   It's All True   next hit

Clippings


Folder 11 previous hit   It's All True   next hit

Translations of newspaper articles folders 12-14: previous hit   It's All True   next hit . Jangadeiros publicity. Includes news stories, clippings and translations of articles


Folder 15-33 previous hit   It's All True   next hit

Background materials. Topics include Argentina, Bolivia, Brazil, Alberto Santos-Dumont, Oswaldo Gonçalves Cruz, Bertita Harding's Amazon Throne, Chile, Colombia, Costa Rica,Cuba, Ecuador, Guatemala, Mexico, Nicaragua, Paraguay, Peru and Salvador


Box 19
Folder 1-2

previous hit   It's All True   next hit

Background materials. Topics include Uruguay and Venezuela


Folder 3-40 previous hit   It's All True   next hit

Research materials. Materials include pamphlets, clippings and typescripts on the topics Amazon; Art; Baia, Sergipe, Alagoas, Pernambuco & Paraiba; Simón Bolívar; Brazil History; Brazilian Alphabet; Brazilian Curiosities; Brazilian Independence and Jefferson; Brazilian Indians; Brazilian Kings; Carnaval in Rio; Catedral de Lima; Ceará; Coffee; Crime of Doña Carlota; Drought; Fawcett Expedition; Folk Music; Gaucho; God and Diamonds; Guatemala Heroes of Brazil; Holy Week in Ouro Preto; Imperatriz Teresa Cristina; Iron and Steel; Jangadeiros; Latin American Music; Legends and Fables; Matto Grosso; Minas Geraes; Palmares War; Piaui; Praça Onze; and Revolution of 1835


Box 20
Folder 1-9

previous hit   It's All True   next hit

Research materials. Topics include Rio de Janeiro; Rio Grande do Norte; Rio Grande do Sul; Romantic Adventurers; Rubber; Salvador (cidade); Samba; São Paulo, Paraná Y Goyáz; and Sugar and Brazilian Northeast.

See also Photographs; Oversize 15


Folder 10-13 Journey Into Fear (Aug., 1942-1943) 

Scripts


Folder 14 Journey Into Fear

Storyboard


Folder 15-19 Journey Into Fear

Production, financial, and publicity materials

See also Photographs


Folder 20 V & W (Aug., 1942) 

Scripts and production materials


Folder 21 Jane Eyre (Dec., 1942) 

Partial scripts and production materials

See also Photographs


Folder 22 The Outer Gate (Aug., 1943) 

Script, by John Tucker Battle


Folder 23-27 The Little Prince (1943) 

Scripts


Folder 28-35 Don't Catch Me (July, 1944) 

Scripts. Writers include Les White, Bud Pearson, Rose Krebs, and Orson Welles


Box 21
Folder 1-8

Don't Catch Me

Scripts and publicity materials


Folder 9 Tomorrow Is Forever (Mar., 1945) 

Script

See also Photographs


Folder 10-15 The Stranger (ca. Aug., 1945) 

Scripts and miscellaneous pages of scripts


Folder 16-18 The Stranger

Production, legal, and financial materials

See also Photographs; Oversize 16


Folder 19 Roosevelt Memorial Short (Welles & Colbert) (1945) 

Drafts of scripts


Folder 20 Lady from Shanghai (Aug., 1946-1947) 

Annotated book, If I Die Before I Wake by Sherwood King


Folder 21-23 Lady from Shanghai

Scripts


Box 22
Folder 1-4

Lady from Shanghai

Scripts


Folder 5-6 Lady from Shanghai

Production and financial materials, and clippings See also Photographs; Oversize 17


Folder 7-13 Macbeth (Mar., 1947) 

Scripts


Folder 14-18 Macbeth

Production materials, and publicity

See also Photographs; Oversize 18


Folder 19 Black Magic (July, 1947) 

Script and production materials


Folder 20 Bolivar's Idea (no date) 

Scripts, by John Tucker Battle


Folder 21 Carmen (n.d.) 

Script


Folder 22 Fully Dressed and In His Right Mind (n.d.) 

Partial scripts


Folder 23 Salome (n.d.) 

Partial scripts. Introduction by Fletcher Markle


Folder 24 [Untitled script about jazz] (n.d.) 

Accessibility Help