royalty statements

• The Quest for Sun Gold - first published story, photocopy from The Sunday Express, Johannesburg, June 13, 1937

• The Valley Legend - tear sheet from Children's Sunday Express, Sept. 18, 1938

• editor's mention (Auntie Ban Writes) of other stories published by Gordimer in same newspaper

• Spring (poem) - clipping

• two school exercise books with reviews of "Books read in 1938"

Won Drama Award and was performed by Johannesburg Repertory Society. Carbon copy

Typed fragment

Ten essays and class exercises, with teacher's comments and marks awarded.

At three o'clock in the morning someone wakes me [first line]; Babe; The Hero; It Might Happen This Way... ; The Old World and the New World ; On Sunday mornings in Johannesburgh I take a bus somewhere [first line]; The Shoes; The Sleep and the Waking ; They were back home again, all three of them [first line]

Final[?] version

Published in The Southern Review. Original version

Adapted from section of My Son's Story and published in Paris Review, 1989. Photocopy of final version; final version as published

Included in Livingstone's Companions. Original and final versions

Final version[?]

Zeit Magazin (Germany) feature in which writers, artists, etc., were commissioned to write about favorite works of art. Original and final versions

The Anatomy of Hate: Solving Conflict Through Dialogue and Democracy conference held by the Norwegian Nobel Prize Committee and the Elie Wiesel Foundation of New York in Oslo, Norway, Aug. 1990.

Original first draft and reading copy.

Published in London Magazine, 1974. Final version

Script outline; titles; paper edit of final script; notes; transcripts of interviews; transcript of Boesak's interviews in film; printed text of Gordimer's statement introducing film at first public showing in New York; announcements of film showing; review clippings

Published in The New Yorker and included in Jump and Other Stories. Tear sheet from The New Yorker

Published in Holiday, Apr. 1959. Tear sheet from Holiday

Clipping, dated June 27, 1976

To open the Aquarius National Student Arts Festival. Draft version

Delivered in Durban to the Catholic Winter School, June 27, 1976. Reading copy[?]

Commissioned by Washington Post Magazine, 1987;

also published in Sunday Times, London, 1987.

Notebook; original draft version; loose notes for photographs; final version; final shortened version, published by Sunday Times

Originally titled: Achebe, Gift of Africa. Published by Times Literary Supplement, Oct. 17, 1975. Final version; tear sheet from TLS

Excerpt from A Sport of Nature. Final version

Published in The Observer, London. Final version as sent to editor Donald Trelford

Adapted from novel My Son's Story and published in Prize Writing, edited by Martin Goff. Final version as published; photocopy of final version

Section One "Modern African Fiction in English" published under title: African Literature: The Lectures Given on this Theme at the University of Cape Town's Public Summer School by Board of Extra-Mural Studies, University of Cape Town, Feb. 1972. Section One: Origins and Directions - eight versions and revised pages. Several marked "First lecture"

revised pages; themes of various works by other authors

Section One: Politics as Fate - five versions, one marked "Third lecture"; revised pages

tear sheets from The Dalhousie Review; poems by various authors

Original version

Published in The Times Literary Supplement, Sept. 15, 1978. Clipping from TLS

Original version; photostat of original version

penultimate copy of final version

Final version as delivered; two clippings about award dinner

Excerpted and adapted from July's People. Original and final versions

Published in The Star, Johannesburg,Feb. 11, 1981. Original and final versions; clipping from The Star

Published in The New York Times. Final version

Keynote address to International Writers' Day, P.E.N. International, June 2, 1990. Final version

Published in Evening Standard, London, 1989. Final version

Included in The Essential Gesture: Writing, Politics and Places, shortened versions published in Atlantic Monthly, 1959 and Treason Trial Bulletin, May 1958. Original version; final version; shortened version; various drafts; copy of Treason Trial Bulletin, No. 2, with article

Excerpt from A Sport of Nature and published in Paris Review, 1986. Final version

Draft script, with changes; final script with changes

Adapted from first novel The Lying Days. Final version[?]

Published in The Nation, 1967. Final version

Published in Mademoiselle and included in Not for Publication, and Other Stories. Original version[?]

Two part travel essay commissioned by Holiday. Adapted and published in The Essential Gesture: Writing, Politics and Places under the title: The Congo River. Original version and two second drafts of "Africa 1960: The Great Period"; original version and two second drafts of "Towards the Heart of Darkness: Congo River Journey"; research material

Original first version dated 28 June 1973; original version of parts of the novel; final version for typist and additions

Adapted from the novel The Conservationist. Published in Playboy, Mar. 1973 (v.20, no.3). Two versions of first chapter of novel; tear sheet from Playboy

Published in The New Yorker and included in Something Out There. Original version; photocopy of original version; corrected version; final version[?]; typescript with editor's comments

Notes; photocopy of draft

Adapted from "Town and Country Lovers." Original version, Nov. 1978; revised version; original final version, Aug. 13, 1981; photocopy with revisions; revised and abandoned pages

Included in Livingstone's Companions. Original and final versions

Introduction to catalogue of his retrospective exhibition of photographs at the National Gallery, Cape Town, 1983; shortened version given as opening address at exhibition. Notes; original version; two final versions; shortened version

Feature for Asani Shiubun, Japan, 1989 and published in English in The Independent, London, 1990. Final version

Published in London Magazine, 1980. Final version

19th African American Institute Conference, Lusaka, Zambia, Jan. 9-13, 1989. Final version

Directed by Lynton Stephenson. First version, two copies of second version, and third version

Commissioned by Holiday. Final version

Excerpted from The Conservationist. Galley proofs

Final version

Barnard College, New York (Gildersleeve Lecture), n.d.; Conference on Literature in the Conditions of Southern Africa, April 4-7, 1975, York University, England; University of Cape Town Summer School, Feb. 1972 and Jan. 1976. Eight versions with notes; bibliography

University of Michigan (Tanner Lecture), 1984 and published in The Essential Gesture: Writing, Politics and Places (London: Jonathan Cape, 1988). Original manuscript; second draft; five pages of notes; final version as presented, marked for reading

Published in New York Times Magazine and London Magazine and included in The Essential Gesture: Writing, Politics and Places. Final version for NYTM; photocopy of tear sheet from London Magazine, Mar. 1966

Journée Droits de L'homme et Cinema, Cannes Film Festival, 1989. Final version

Review of The Beadle by Pauline Smith. Published in The New York Times Book Review, June 16, 1963. Photocopy proof from NYTBR

Published in New Statesman, London, Jan. 14, 1977 and included in A Soldier's Embrace. Original version

The Bridegroom; Check Yes or No; Friday's Footprint(two copies); The Gentle Art(five copies); Harry's Presence (two copies); An Image of Success; The Last Kiss (two copies); Little Willie (with alternate ending); Our Bovary; The Path of the Moon's Dark Fortnight; A Style of Her Own; A Thing of the Past

with handwritten corrections of the following stories: The Bridegroom; Check Yes or No; Friday's Footprint; The Gentle Art; An Image of Success; The Last Kiss; The Night the Favourite Came Home; Our Bovary; A Style of Her Own; A Thing of the Past

Given at conference of the Association of University English Teachers of Southern Africa and published in English in Africa 7 (no. 1, March 1980), South African Outlook (v. 107 (1977), 181- 83) and in "The AUESTA Papers."

Photocopy of original, with cuts and changes marked for a shortened version; photocopy as published in "The AUESTA Papers"; photocopy of several pages, possibly a discarded version of above

Commissioned by François Bondy for an anthology of that title. Original version; version marked "Corrected text & rewrite..."

Produced by Jenny Barraclough of Barraclough/Carey productions for BBC 1 TV. World-wide distribution in the series "Frontiers." Texts; "Frontiers" scripts

Excerpted from The Conservationist. Published London Magazine. Page proofs

Adapted by Barney Simon from Gordimer short story. Final[?] version

Published in The Observer, London, 1977. Final version

For anthology I Will Still Be Moved, published by Arthur Barker, edited by Marion Friedmann, 1963, and included in The Essential Gesture: Writing, Politics and Places. Final version, lacking last page(s)

Original version; second draft; penultimate version; final version

Draft version

Published in The New Yorker and included in Jump and Other Stories. Copy-edited typescript from The New Yorker; galley proofs with editor's corrections

Published in Rand Daily Mail, Johannesburg, under the title "The Voices We May Not Hear" and broadcast on "Voice of America." Final version

Final version

Published in Encounter, London, Mar. 1977 and included in A Soldier's Embrace. Original version; photocopy of final version

Carbon typescript of text

Published in The New York Times Book Review, 1984. Final version; proof, with corrections and annotations by editor Robert Silvers and Gordimer

Commissioned by Melbourne Age, Australia, May 1987, on the occasion of his 75th birthday. Final version

Adapted from Gold and the Gun. Draft and final[?] versions; galley proofs

Original and second versions

Final version

Three draft scripts; notebook

Published in The New Yorker as "Out of the Walls." Original version[?], typescript

Story was bought by The New Yorker, set up in print, but never published. Story not included in any of Gordimer's story collections and was unpublished as of 1985. Thirteen typescript pages, marked by printer; galley/working proofs and annotated by Katharine S. White; three pages of notes on the working proof by White; final version

Proof from Playboy

Published in The Observer, London, 1959. Final version

Original version, with discarded versions of pages

Two copy edited versions from J. Cape

Original draft and final version as delivered

Rights acquired in 1984 by producer David Puttnam and director Roland Joffe. Project later given to director Randa Haines. Script rewritten by Loring Mandel in 1991. Film never realized. Nine drafts

Original manuscripts of: Amnesty, and one page of notes; Comrades, Nov. 16, 1987; A Find, Dec. 28, 1989; Home, Nov. 11, 1987; A Journey, Dec. 1987-Jan. 1988; Jump, Feb. 8-14, 1989; The Moment Before the Gun Went Off , Nov. 1987; My Father Leaves Home ; Once Upon a Time, Feb. 23-24, 1988; Safe Houses, Dec. 1990; Some are Born to Sweet Delight; Spoils, Feb.-Mar. 1987; Teraloyna, Aug. 1986 and first revision; The Ultimate Safari, Nov. 1988; What Were You Dreaming?

Final version; master pages; three sets of proofs

Given by Reinhold Cassirer at the cremation of Kurt Jobst, May 7, 1971. Final version of address; photocopy of clipping, titled: "He gave Jo'burg Some Style, A Personal Tribute by Nadine Gordimer"; photocopy of longer version used as foreword for book on Jobst's work, published 1977

Published in New Republic, 1980. Final version

Photocopy of synopsis; original and final versions

Adaptation by Tristram Powell, revised and partly rewritten by Gordimer. Photocopy of script

Published in the series "Leaving School" for London Magazine and included in The Essential Gesture: Writing, Politics and Places under title: A Bolter and the Invincible Summer.

[See also: A South African Childhood] Original and final versions

Published in The New York Review of Books and in The Observer, London, and included in The Essential Gesture: Writing, Politics and Places. Photocopy of final version for NYRB; photocopy of typed footnote; scribbled note calculating 1974 South African election results; proof from NYRB; version marked for cuts and resulting shortened version for The Observer; additions and cuts

Commissioned by a Danish paper Politiken. Final version

Published in the New York Review of Books. Final version; proof from NYRB, with comments and corrections by editor Robert Silvers and Gordimer

Published by The New Yorker, 1968 and included in Livingstone's Companions. Original version; final version, marked "incomplete copy"

Final[?] version with queries and comments by editor Katharine S. White

James Lecture, The New York Institute for the Humanities, October 14, 1982; Academic Freedom Lecture (D.C.S. Oosthuizen Memorial Lecture), Rhodes University, Sept. 1, 1983; published by New York Review of Books, Jan. 20, 1983 and included in The Essential Gesture: Writing, Politics and Places. James lecture: Original version, lacking three pages, misc. notes; second version; final version as presented, under title: Living Conditions: In the Interregnum; notes and research clippings; Five Years of Activity, by The New York Institute for the Humanities, listing Gordimer's James lecture

Photocopies, typescripts and tear sheets in preparation for publication. One version of each of the following titles, unless otherwise indicated: Abroad, two copies; Africa Emergent; The Bride of Christ ; The Credibility Gap ; Inkalamu's Place; An Intruder, with alternative endings; The Life of the Imagination; Livingstone's Companions, three copies; A Meeting in Space, three copies; No Place Like; Open House , three copies; Otherwise Birds Fly In ; Rain Queen, three copies; A Third Presence; A Third PresenceA Third Presence

Excerpted and adapted from July's People. Final version

Final version

Synopsis only

Published in Harper's and Queen and included in A Soldier's Embrace. Original and final versions

Published in either London Magazine or Holiday. Final[?] version; incomplete version; photocopied pages with corrections in red ink and inserts suggested by Claude Wauthier; seven pages of notes on travel in Madagascar; six pages of notes, one of which pertains to A Guest of Honour

Final version

Published in The Times Literary Supplement, May 1977. Photocopy

Requested by Robert Bernstein of Random House. Final version

Published by The New Yorker under the title "Say Something African" and included in Livingstone's Companions. Original and final versions

Final version as sent to editor

Two part travel article on Ghana and the Ivory Coast, published by The Atlantic under title "West African Diary." Original and final versions

Original version

Published in South African Outlook, no. 101, Jan. 1971. Final version

Final version as presented

Final version; clipping of article, dated July 2, 1975

Photocopy of version sent to The New Yorker editor, with comments and corrections; galley proofs with corrections by editor and Gordimer

Original version; photocopy of original, Oct. 27, 1989; revised and discarded versions, queries, research clippings; final rewrite of original, Nov. 1989; word- processed copy with corrected pages

Original draft; final version; proof from NYRB, with comments by editor Robert Silvers; corrections and objections by Gordimer

Published in The New York Times Book Review, Oct. 17, 1971. Final version; tear sheet from NYTBR

Original version, corrected carbon typescript

Published in The New Review, London, 1977 and included in A Soldier's Embrace. Original and two final versions

First version

Final version

Published in The Atlantic, 1984. First draft; second version; final version; proof

Original version

Commissioned, but not published in GEO (American edition). Original, second, and final versions

Published in The Southern Review and included in Livingstone's Companions. Original and final versions

Bound proof

Commissioned by GEO (German edition?). Original and final versions; eight pages of notes; two notebooks; research material--clippings and notes

Original version

Typescripts and/or carbon typescripts of: The African Magician ; A Chip of Glass Ruby ; A Company of Laughing Faces ; Good Climate, Friendly Inhabitants ; Message in a Bottle ; Native Country; Neighbours and Friends (not included in published volume); Not for Publication; One Whole Year, and Even More; The Pet; Some Monday for Sure ; Son-in-Law; Tenants of the Last Tree-House; Through Time and Distance; Vital Statistics; The Worst Thing of All

Final version; photocopy of clipping of address

Published in The Times Literary Supplement. Final version

Presented at the University of the Witwatersrand and as the Anne Radcliffe Lecture, Harvard, etc. Published Radcliffe Quarterly, 1961. Original and final versions; final version with cuts and changes; amended version, typed for delivery; copy of Radcliffe Quarterly

Synopsis; original and final versions; draft pages

Introduction to readings by various authors for the South African Institute of Race Relations, University of the Witwatersrand, Aug. 8, 1983. Final version; handwritten details of program

Published in The Kenyon Review and included in Not for Publication, and Other Stories. Original version

Included in Livingstone's Companions. Original and final versions

Photocopy; miscellaneous annotated pages

Published in Harper's and Queen and Playboy, May 1977 (v.24, no.5). Included in A Soldier's Embrace. Original version; photocopy of tear sheet from Harper's and Queen?

Final version

Included in Livingstone's Companions Original version

Introduction to a discussion, Nov. 8, 1990, Weekly Mail Book Week. Final[?] version

Commissioned by The New York Times, published The New York Times, New York Herald Tribune and as preface for Cosmas Desmond's The Discarded People, [1969?] Original version as rewritten for preface to The Discarded People; final version; clippings of article from NYT and NYHT.

About Lotte Furstenberg-Cassirer with fictitious names substituted. Penultimate[?] version

Original and photocopied versions; page proofs and photocopy of page proofs

Original second draft, marked for reading; two final versions, one marked "not updated"; final version, as delivered

Cast list; photocopy of annotated short story; draft scripts; rewrites

Published by London Magazine. Final version

Final version as delivered; portion of printed program

Two photocopies of final version

Published in London Magazine. Original version; second draft; final version, lacking a few pages; shortened final version

Published in Harper's Magazine, Oct. 1979 and included in Something Out There. Final version

Included in Livingstone's Companions. Original and final versions

Final version; two proofs from the NYTRB, with changes by editor Robert Silvers and Gordimer

State of Art in South Africa conference, 1979; Radcliffe Forum, Harvard 1979; Neil Gunn Fellowship address for the Scottish Arts Council, Edinburgh, May 1981; included in The Essential Gesture: Writing, Politics and Places and published as "Apprentices of Freedom" in New Society, 1981. Four versions

First draft; second version

Reduced-size photocopy of story marked for script; notebook pages; notes and trial versions of scenes; original version; two draft versions; five revised versions

Version as delivered

Published in Encounter, London, 1975 and included in A Soldier's Embrace. Original version; photocopy of corrected final version; proof

Final versions: A Bit of Young Life; Charmed Lives; The Cicatrice; Clowns in Clover ; Face From Atlantis; Happy Event; Horn of Plenty; My First Two Women ; Out of Season; Six Feet of the Country; The Smell of Death and Flowers; Which New Era Would That Be?; The White Goddess and the Mealie Question (included in the U.S. edition)

Shown Film Forum 1, New York City, May 1983 and Cape Town International Film Festival, Sept. 1981. Film Forum 1 release, Documentafilm 1 and 2 programs; contracts; writings mentioning series; press digest and review clippings

Typescripts of four stories, with minor corrections: The Catch, The Peace of Respectability , The Menace of the Years , A Watcher of the Dead; book jacket

Published in Harper's and Queen, 1976 and included in A Soldier's Embrace. Original version, Jan.-Feb. 1975; second version, June 1975; photocopy of final version

Final versions as published, with corrections and instructions to copy editor on title pages: For Dear Life; A Hunting Accident; A Lion on the Freeway; A Mad One; The Need for Something Sweet ; Oral History; Siblings; A Soldier's Embrace ; The Termitary; Time Did; Town and Country Lovers ; You Name It

Original version

Rehearsal script; list of photographs supplied by David Goldblatt

Original, draft and/or final versions of: At the Rendezvous of Victory , Jan. 1982, two versions; A City of the Dead, A City of the Living, Feb. 1981, seven versions, including unpublished shortened version titled "Tenure", and version for The New Yorker; A Correspondence Course, Feb. 1980; Crimes of Conscience , July 1981, two versions; Letter To His Father, three versions, proof from London Review of Books, photocopy of English translation of Kafka's letter from his father, German transcription with corrections probably by Arnulf Conradi, S. Fischer Verlag, research materials; Love Stories: Blinder and Terminal, Feb. 1982, two versions; Rags and Bones; Sins of the Third Age, Jan. 1982, two versions; Something Out There, one version, draft chapters, and research materials

Proofs; list of stories, where and when published and corrections for French translation

Adapted by Hugh Cassirer from novella by Gordimer. First rough draft

Adapted from a chapter of novel Occasion for Loving and published in Cosmopolitan. Original[?] and final versions; tear sheet

Included in Not for Publication, and Other Stories. Original version

Excerpted and adapted from novel A Sport of Nature. Final version

Final version as sent to Newsweek; tear sheet from Newsweek; expanded version as sent to AC, titled: Letter from Johannesburg

Published in Der Stern, Germany, 1988. Second draft

Commissioned by German radio - Südwestfunk, Feb. 1977. Original version; photocopy of final version, incomplete

Given to the students of the University of the Witwatersrand and published in The Classic, v.2, no. 4 (1968). Draft

Published by The New Yorker. First of two autobiographical essays [See also: Leaving School: A Bolter and the Invisible Summer] Final version

E.G. Malherbe Academic Freedom lecture, University of Natal, Durban, 1971 and included in The Essential Gesture: Writing, Politics and Places. Final version as delivered

Published in Granta and included in Jump and Other Stories. Proof from Granta

Original manuscript; revised penultimate version; copy from which final version was typed

Published in Rand Daily Mail, ca. 1975 Final version

Final version

Original version

Unpublished final version; final version

Published in New York Review of Books, 1982. Original draft; final version; proof from NYRB

Published in The Atlantic, 1973. Eight pages of notes; original version; second draft, with corrections in red ink by Claude Wauthier; final version

Published in The New Yorker and included in Not for Publication, and Other Stories. Revised version, incomplete, lacking unchanged pages; revision for The New Yorker

Published in London Magazine and included in A Soldier's Embrace. Original version

Included in Livingstone's Companions. Original version

Published as a chapbook by Bennington College, 1991. Original manuscript; final version with additions

Published in The Atlantic and included in Not for Publication, and Other Stories. Final version; tear sheets

Adapted from short story for director John Schlesinger. Original and final versions of synopsis

Published in London Magazine, November 1977 and included in A Soldier's Embrace. Original version; photocopy of final version

Published in London Magazine, June 1983. Original and final versions

Published in Harper's and Queen and included in A Soldier's Embrace. Original[?] version; second/penultimate version; copy edited version; photocopy of last portion

Published in GEO 1978, with photographs by David Goldblatt and in The Essential Gesture: Writing, Politics and Places. Photocopy of final version; a section apparently not published; notes; original annotated copy; research clippings

Published in The Star, Johannesburg, Feb. 8, 1988. Final version; tear sheet

Published in The Observer, London, June 9, 1963. Original version; tear sheet from The Observer

Published in The New York Times, Dec. 9, 1972. Clipping of article with Edward Gorey illustration

Published in The New Republic, Feb. 1982. Final version

Final version

Published in The National and English Review, 1959. Final version

Photocopy

Published in The Kenyon Review and included in Not for Publication, and Other Stories. Original version; first revision; final version

Published in a Polish emigré journal, 1987. Final version

Published in school magazine Vista, 1966. Final version

Given to the students at University of Cape Town, 1977. Photocopy of text

Paperback; drafts; notes and materials concerning Publication Control Board; clippings about censorship

Durban Indian Teachers' Conference. Original first version; photocopy of final version

Published in Swedish paper Akton Bladet, 1980. Final version

Published in Twentieth Century and included in The Essential Gesture: Writing, Politics and Places. Final version

Original manuscript, with two pages of notes; final version as delivered, Albert Pick Lecture, University of Chicago, Oct. 1987; shortened version for Dagens Nyeter, Sweden; revised version delivered at UNESCO Conference, Dakar, Senegal, Nov. 27, 1989; version delivered for Phi Beta Kappa "Literary Exercises," Harvard University, 1988; version delivered at African Literature Conference, Oxford University, June 1990

Published in The New Yorker and included in Livingstone's Companions. Original version

Tribute to Helen Suzman in a festschrift, published on her retirement from Parliament in South Africa, 1989. Final version

Published by Optima with photographs by David Goldblatt. Expanded for preface to On the Mines, by Gordimer and Goldblatt, published by C. Struik, 1973.

Two original versions; second draft; final carbon version, with instructions to printer in Goldblatt's hand; On the Mines proofs annotated by Gordimer and Goldblatt; notes; tear sheet from Optima; research material

Published in London Magazine and included in Not for Publication, and Other Stories. Original version

Original version

Final version

Unknown where given or published. Original text as delivered; final version of article

Published in New Nation, September 1972, vol. 6, no. 2. Copy of New Nation only

Published in London Magazine, June/July 1976 and included in A Soldier's Embrace. Original and final[?] versions

Draft

Written for The Observer, London, 1990. First draft of original version

Unpublished, commissioned by William Shawn of The New Yorker. Final version

Published in The Observer, London and in The Star, Johannesburg. Final version as sent to The Observer

Published in Twentieth Century Literature, USA, 1983. Final version

Final version[?]

Published Playboy. Tear sheet from Playboy, May 1972 (v.19, no.5).

Text as spoken by Gordimer on film

Carbon typescript of final version

Final version

Black children's drawings and texts collected by Colphine Smuts of Open School, Ravan Press, 1986. Final version

Final version

Final version

Published in New York Times Book Review and Weekly Mail, Johannesburg. Final version for NYTBR, marked with cuts for later publication in the Weekly Mail; proof from Weekly Mail, with note to editor.

Original rough draft; notebook.

Probably written for The Star, Johannesburg. Final version

Published by The Observer, London, 1991. First draft; final version as sent to editor.

Final version

Original draft; final version

Published in The Nation, 1967. Final version

Published in African Studies (29. 2. 1970). Tear sheet

Published in The Observer, London, May 11, 1990. Final version

Published in the New York Times Book Review. Shortened version published in Weekly Mail, Johannesburg, Nov. 1985 and titled: South Africa: Explaining, Rationalizing, Forgetting .

Photocopy of first version; final version; final version with cuts for shortened version; proof from NYTBR, with corrections and annotations by editor Robert Silvers and Gordimer; shortened version for WM

Published in the The Times Literary Supplement, 1980 and Le Monde, 1989. Published as a foreword to subsequent editions of the book. Photocopy; adapted version, for Le Monde

Final version

Original version; final version, with changes; three clippings reporting event

First draft

Original draft

Reading copy

Original version with introductory note

Original and final versions

Final version

Original version

Final version; fragment of appeal for release of Harry Bloom

Final version as delivered

Unpublished. Original version as delivered

Reading version

Final version

Records the beginning of the illness that caused Gordimer's mother to take her out of school at age 11, during which time she began to write.

Notes for stories, including: A Bit of Young Life , A Long Walk from Rhodesia, Visit to a Bachelor, An Image of Success

Notes for Occasion for Loving and The Late Bourgeois World and other stories.

Dates at top of each page are those when note was made; dates in margins record when story was actually written. Working notes, ideas, etc. mostly for stories included in Something Out There: Sins of the Third Age, Crimes of Conscience, A City of the Living, a City of the Dead, At the Rendezvous of Victory, Something Out There. Notes also for: Old Stock; Idea for unwritten story--One day, towards the end of my life...; White girl married to a black... first idea for what became the novel A Sport of Nature; Love 3, Blinder; Love 4, Bernie du Toit... (unwritten); Love 2, Terminal; Tourism

Contains all notes, chapter analysis, names, ideas for novel, record of quotations, etc. for My Son's Story. Also contains notes for stories included in Jump, and Other Stories that were written or noted while writing My Son's Story, including: My Father Leaves Home; Some Are Born to Sweet Delight; The Moment Before the Gun Went Off; Home; Comrades; A Journey; Keeping Fit. Miscellaneous other notes including those for an unpublished story A Piece of History.

For The Times Literary Supplement?

Contains article: African landscapes: The World of Nadine Gordimer , by John Cooke, p.533.

Page proofs

First part of original, pp. 1-97, with notes and corrections; draft; revised copy; printout before corrections; discarded pages; notes and corrections; version with additional pages; typescript with corrections, pp. 36-170.

Photocopies of draft pages; typed copy (version 2?); final typescript; final proof; notebook; sources; correspondence and trial translation into French; miscellaneous related materials.

Adapted from novel for Roland Joffé, "never filmed"

Drafts

Drafts; hand-corrected typed version; corrections faxed to FSG [Farrar, Straus and Giroux]; notes and corrections; Master proof, 5/4/99; Master proof 6/14/99; jacket proof

Final proofs; jacket proof

Original; hand-corrected typed version.

Corrected revised draft; incomplete corrected typescript; discarded versions of various pages; final version from which proofs were corrected; notebook; notes; clippings.

Original; second draft; typed version for word processing; typed part version with handwritten corrections; copy-edited version from FSG; drafts; rewrites.

Rewrite copy; typescript with corrections; penultimate version; final printout 7/12/2000; final copy for publishing and proof reading; first pass pages master 3/30/01; proofs; second proofs (final) from FSG, June 2001; master pages 5/15/01; author galleys (incomplete); jacket; notebook.

Page proofs

Final copy

Incomplete draft?

Notebook (sources); drafts; corrected typescripts; reading copies, Oct.-Dec. 1994; penultimate version; final version; final copy; proof; jacket design and correspondence.

• A
• Abroad Box 4, f. 27; Box 10, f. 23; Box 12, f. 2
• Achebe, Gift of Africa See: At the Crossroads of Cultures
• Across the Veld Box 4, f. 28
• Africa 1960: The Great Period See: Congo
• Africa Emergent Box 4, f. 29; Box 10, f. 23; Box 12, f. 2
• The African Magician Box 4, f. 30; Box 12, f. 2, 8
• African Literature See: The Black Interpreters: Notes on African Writing
• The African Pot Box 4, f. 31
• African Writing See: The Black Interpreters: Notes on African Writing
• After Apartheid: Black and White in a New South Africa Box 4, f. 32
• Ah, Woe is Me Box 12, f. 2
• Alberto Moravia's Africa Box 4, f. 33
• Allan Boesak: Choosing for Justice Box 4, f. 34 - 36
• Amnesty Box 4, f. 37; Box 9, f. 21, 23; Box 10, f. 1 - 7
• ApartheidBox 4, f. 38
• Apartheid, the Agitator Box 4, f. 39
• Apprentices of Freedom See: Relevance and Commitment
• Art and Change Box 4, f. 40
• As I See South Africa Today Box 4, f. 41
• At Last--Luangwa! Box 4, f. 42
• At the Crossroads of Cultures Box 4, f. 43
• At the Rendezvous of Victory Box 13, f. 25, 36, 37; Box 14, f. 3; Box 15, f. 85
• At three o'clock in the morning someone wakes me [first line] Box 4, f. 25
• B
• Babe Box 4, f. 25
• Balancing Rocks Box 4, f. 44
• A Beautiful Day, Com Box 4, f. 45
• Benoni--Son of Sorrow Box 4, f. 46
• A Bit of Young Life Box 12, f. 2; Box 13, f. 12; Box 15, f. 80
• The Black Interpreters: Notes on African Writing Box 4, f. 47 - 51; Box 5, f. 1 - 7
• Blinder See: Love Stories: Blinder and Terminal
• A Bolter and the Invincible Summer See: Leaving School: A Bolter and the Invincible Summer
• The Bride of Christ Box 5, f. 8; Box 10, f. 23
• The Bridegroom Box 7, f. 19, 21; Box 12, f. 2
• A Brilliant Bigot Box 5, f. 9
• Burger's Daughter Box 5, f. 10 - Box 6, f. 10; Box 16, f. 8-9; See also: What Happened to Burger's Daughter or How South African Censorship Works
• Bush-craft Box 6, f. 11
• By the Light of 10,000 Bulbs Box 6, f. 12
• C
• Catalogue of the Ridiculous See: A Morning in a Library
• The Catch Box 12, f. 2; Box 13, f. 18
• Censors, Poets, and ApartheidBox 6, f. 13
• Censorship and Its Aftermath Box 6, f. 14
• Censorship--The Final Solution Box 6, f. 15
• Charmed Lives Box 13, f. 12
• Check Yes or No Box 7, f. 19, 21
• Chief Luthuli Box 6, f. 16, 17
• Children with the House to Themselves Box 6, f. 18
• A Chip of Glass Ruby Box 6, f. 19; Box 12, f. 2, 8; Box 13, f. 14 - 17
• A Christmas in the South Box 6, f. 20
• The Cicatrice Box 13, f. 12
• City Lovers Box 6, f. 27; Box 13, f. 14 - 17
• A City of the Dead, a City of the Living Box 13, f. 27, 37; Box 14, f. 1, 3; Box 15, f. 85
• Clowns in Clover Box 13, f. 12
• The Colour of Want Box 6, f. 22
• A Company of Laughing Faces Box 6, f. 23; Box 12, f. 2, 8
• Comrades Box 9, f. 21, 23; Box 10, f. 1 - 7; Box 15, f. 86
• Congo Box 6, f. 24 - 26
• The Conservationist [novel] Box 6, f. 27 - 34
• The Conservationist [short story] Box 6, f. 35
• A Correspondence Course [script] Box 6, f. 37
• A Correspondence Course [short story] Box 6, f. 36; Box 13, f. 28; Box 14, f. 1, 3
• Country Lovers Box 6, f. 38 - 43; Box 13, f. 14 - 17
• The Credibility Gap Box 6, f. 33, 44; Box 10, f. 23
• Crimes of Conscience Box 13, f. 29, 37; Box 14, f. 1, 3; Box 15, f. 85
• D
• David Goldblatt--So Far Box 7, f. 1
• A Day in My Life Box 7, f. 2
• Death, Love and the Fruit-Basket on Carmen Miranda's Head Box 7, f. 3
• The Delmas Trial Box 7, f. 4
• Diagonal Street Box 7, f. 5 - 8
• Divers with Bloodshot Eyes Box 7, f. 9
• The Dogs Box 7, f. 10
• Don Mattera Box 7, f. 11
• E
• The English Novel in South Africa See: The Novel and the Nation
• English-Language Literature and Politics in South Africa Box 7, f. 12, 13
• The Essential Gesture: Writers and Responsibility Box 7, f. 14
• F
• Face From Atlantis Box 13, f. 12
• A Find Box 9, f. 21, 23; Box 10, f. 1 - 7
• The First Circle Box 4, f. 22
• The Fischer Case Box 7, f. 15
• The Flash of Fireflies Enclosed in Gordimer to George Lanning, Jan. 11, 1968
• The Flickering Image: Cinema and the Rights of Man in South Africa Box 7, f. 16
• For Andrina Destiny Was Bitter Box 7, f. 17
• For Dear Life Box 7, f. 18; Box 13, f. 20
• Friday's Footprint [short story] Box 7, f. 19, 21; Box 12, f. 2
• Friday's Footprint [short story collection] Box 7, f. 19 - 22
• From Apartheid to Afrocentrism Box 7, f. 23
• G
• The Gentle Art Box 7, f. 19, 21; Box 12, f. 2
• Germany to Me Box 7, f. 24
• Gold and the Gun Box 7, f. 25 - 34; See also: The Ingot and the Stick, the Ingot and the Gun
• Golden Reclining Nudes of the Desert Box 7, f. 35
• Good Climate, Friendly Inhabitants [film] Box 7, f. 36
• Good Climate, Friendly Inhabitants [short story] Box 12, f. 2, 9
• Gore-Browne of Zambia: Bwana with a Difference Box 7, f. 37
• Great Problems in the Street Box 7, f. 38
• Guarding the Gates of Paradise Box 8, f. 1
• A Guest of Honour Box 8, f. 2 - 7; Box 10, f. 32
• The Guilt of Loving See: Friday's Footprint [short story]
• H
• Happy Event Box 12, f. 2; Box 13, f. 16
• Harry's PresenceBox 7, f. 20
• The Hero Box 4, f. 25
• Hillela--A Sport See: A Sport of Nature
• Home Box 8, f. 8; Box 9, f. 21, 23; Box 10, f. 1 - 7; Box 15, f. 86
• Homecoming See: No Place Like
• Horn of Plenty Box 13, f. 12
• The House Gun Box 16, f. 10 - 21; Box 17, f. 1 - 13
• How Not to Know the African Box 8, f. 9
• Huddleston: A Sign Box 8, f. 10
• A Hunting Accident Box 8, f. 11; Box 13, f. 20
• I
• I Am Pascale Box 8, f. 12
• The Idea of Gardening Box 8, f. 13
• An Image of Success Box 7, f. 20, 21; Box 15, f. 81
• The Images and the Man See: Sorting the Images from the Man
• In Celebration of Patrick White Box 8, f. 14
• The Ingot and the Stick, the Ingot and the GunBox 8, f. 15; See also: Gold and the Gun
• Inkalamu's Place Box 8, f. 16; Box 10, f. 23
• The Interpreters: Some Themes and Directions in Modern African Fiction See: The Black Interpreters
• The Interpreters: Theme as Communication in the African Novel Box 8, f. 17
• Intimate Environs Box 8, f. 18
• An Intruder Box 8, f. 19; Box 10, f. 23; Box 12, f. 2
• An Island of RockBox 8, f. 20
• It Might Happen This Way... Box 4, f. 25
• J
• A JourneyBox 8, f. 21; box 9, f. 21, 23; Box 10, f. 1-7; Box 15, f. 86
• Journey to the Shore of the Dead Box 8, f. 22
• July's People [novel] Box 8, f. 23 - Box 9, f. 7
• July's People [screenplay] Box 9, f. 8 - 20; Box 17, f. 14
• Jump Box 9, f. 21, 23; Box 10, f. 1 - 7
• Jump, and Other Stories Box 9, f. 21 - Box 10, f. 7; Box 15, f. 86
• K
• Keeping Fit Box 9, f. 23; Box 15, f. 86
• Kurt Jobst Box 10, f. 8
• L
• The Land Not of Our Brothers Box 10, f. 9
• The Last Kiss Box 7, f. 20, 21; Box 12, f. 2
• The Late Bourgeois World [novel] Box 10, f. 10, 11; Box 15, f. 82
• The Late Bourgeois World [screenplay] Box 10, f. 12
• Leaving School: A Bolter and the Invincible Summer Box 10, f. 13
• Letter from His Father Box 13, f. 30, 37; Box 14, f. 2, 3
• A Letter from Johannesburg Box 10, f. 14; See also: Sorting the Images from the Man
• Letter from South Africa Box 10, f. 15
• A Letter from the 153rd State Box 10, f. 16
• Liberation Knocks Twice See: Tanzania: People, Not Money
• The Life of the Imagination Box 10, f. 17, 24; Box 12, f. 2
• A Lion on the FreewayBox 13, f. 20
• Little Willie Box 7, f. 20; Box 10, f. 18
• Living Conditions: In the Interregnum See: Living in the Interregnum
• Living in Hope and History: Notes From Our Century Box 17, f. 15-20; Box 18, f. 1-13
• Living in the Interregnum Box 10, f. 19 - 22
• Livingstone's Companions [short story] Box 10, f. 24; Box 12, f. 2
• Livingstone's Companions [short story collection] Box 10, f. 23 - 27
• Long Walk from Rhodesia Box 15, f. 81
• Look That's Me, with Lydia Box 10, f. 28
• Lourenco Marques: The Little Escape Box 10, f. 29
• Love Stories: Blinder and Terminal Box 13, f. 31, 37; Box 14, f. 1, 3; Box 15, f. 85
• Lying Days Box 10, f. 30
• M
• A Mad One Box 10, f. 31; Box 13, f. 20
• Madagascar Box 10, f. 32
• The Magic of the Script Box 10, f. 33
• Making Oneself Over: The Swedish Way Box 10, f. 34
• A Man of Africa (enclosed in Gordimer to Tony and Robert, Jan. 5, 1976)
• Man of the Year--Nelson Mandela Box 10, f. 35
• A Meeting in Space Box 10, f. 25, 36
• A Memory of Richard Rive Box 10, f. 37
• The Menace of the YearsBox 13, f. 18
• Merci Dieu, It Changes Box 10, f. 38
• Message in a Bottle Box 10, f. 39; Box 12, f. 9
• The Metaphor of Exile Box 10, f. 40
• The Moment Before the Gun Went Off Box 9, f. 21, 23; Box 10, f. 1 - 7; Box 15, f. 86
• More Than a Writer? Box 10, f. 41
• A Morning in a Library Box 10, f. 42
• My Father Leaves Home Box 9, f. 21, 23; Box 10, f. 1 - 7; Box 15, f. 86
• My First Two Women Box 13, f. 13
• My Son's Story Box 11, f. 1 - 15; Box 15, f. 86; Box 18, f. 14 - 16
• The Mysterious Incest Box 11, f. 16
• N
• Naipaul's Freedom Box 11, f. 17
• Native Country Box 11, f. 18; Box 12, f. 9
• The Need for Something Sweet Box 6, f. 8; Box 11, f. 19; Box 13, f. 20
• Neighbors and Friends Box 11, f. 20; Box 12, f. 9
• New Black Poetry in South Africa See: The Black Interpreters
• New Forms of Strategy--No Change of Heart Box 11, f. 21
• New Notes from the Underground Box 11, f. 22
• The Next-to-Last Testament of Nadine GordimerBox 11, f. 23
• Nice Box 11, f. 24
• The Night the Favourite Came Home Box 7, f. 21; Box 12, f. 2
• No Place Like [short story] Box 10, f. 25; Box 12, f. 1, 2
• No Place Like [short story collection] Box 12, f. 2
• No Place Like: Johannesburg Box 12, f. 3 - 5
• None to Accompany Me Box 18, f. 17 - 20; Box 19, f. 1 - 9
• Not for Publication [short story] Box 12, f. 2, 7, 9; See also: Praise
• Not for Publication, and Other Stories Box 12, f. 8 - 13
• A Note on Women and Literature in South Africa Box 12, f. 14
• Notes for the Definitive Biography: Not for Publication See: Not for Publication [short story]
• Notes of an ExpropriatorBox 12, f. 15
• The Novel and the NationBox 12, f. 16, 17
• O
• Occasion for Loving Box 12, f. 18 - 24; Box 15, f. 82
• Old Stock Box 15, f. 85
• Old Times' Sake Box 4, f. 26
• The Old World and the New World Box 4, f. 25
• On and Off the Banned List Box 12, f. 25
• On Sunday mornings in Johannesburg I take a bus somewhere [first line] Box 4, f. 25
• On the Mines See: Witwatersrand: A Time and Tailings
• Once Upon a Time Box 9, f. 22, 23; Box 10, f. 1 - 7
• One Whole Year and Even More Box 12, f. 10, 25
• Open House [script] Box 12, f. 28
• Open House [short story] Box 10, f. 25; Box 12, f. 2, 27
• Oral History Box 12, f. 29; Box 13, f. 20; See also: Seek and Destroy
• Orientation--Towards What? Box 12, f. 30
• Otherwise Birds Fly in Box 10, f. 26; Box 12, f. 31
• Our BovaryBox 7, f. 20, 21
• Our Violent Society, Local and Overseas Perspectives Box 12, f. 32
• Out of Season Box 13, f. 13
• Out of the Walls See: The Intruder
• P
• Pack Up, Black Man Box 12, f. 33
• The Path of the Moon's Dark Fortnight Box 7, f. 20
• The Peace of Respectability Box 13, f. 18
• The Pearl of Manet Box 23, f. 34
• The Pet Box 12, f. 10
• The Pickup Box 19, f. 10 - 20; Box 20, f. 1 - 19; Box 21, f. 1 - 2
• A Piece of History Box 15, f. 86
• Plenty Box 12, f. 35
• Policing the University: The Threat in South Africa Box 12, f. 36
• The Political Novel in Africa See: Politics as Fate
• Politics as Fate Box 5, f. 1
• Praise Box 12, f. 37 - 39; Box 13, f. 14 - 17
• A Private Apprenticeship Box 12, f. 40
• The Problems of Apartheid Box 12, f. 41
• Problems of the Novelist in South Africa Today Box 12, f. 42
• Profile: Abram Fischer See: The Fischer Case
• PulaBox 12, f. 43
• Q
• The Quest for Sun Gold Box 4, f. 21
• R
• Rags and Bones Box 13, f. 1, 32, 37; Box 14, f. 1, 3
• Rain-Queen Box 10, f. 26; Box 12, f. 2; Box 13, f. 2
• References: The Codes of Culture Box 13, f. 3
• Relevance and Commitment Box 13, f. 4
• Role of the Creative Writer in AfricaSee: The Black Interpreters
• S
• Safe Houses Box 9, f. 22, 23; Box 10, f. 1 - 7
• A Satisfactory Settlement Box 13, f. 5
• Say Something African See: A Meeting in Space
• Scar See: The Cicatrice
• Seek and Destroy Box 13, f. 6 - 9; See also: Oral History
• Selected Stories Box 21, f. 3 - 4
• Seven Women Artists Box 13, f. 10
• The Shoes Box 4, f. 25
• Siblings Box 13, f. 11, 20
• Sins of the Third Age Box 13, f. 33, 37; Box 14, f. 1, 3; Box 15, f. 85
• Six Feet of the Country [film] Box 13, f. 14 - 17
• Six Feet of the Country [film series] Box 13, f. 14 - 17
• Six Feet of the Country [short story] Box 12, f. 2; Box 13, f. 13
• Six Feet of the Country [short story collection] Box 13, f. 12, 13
• The Skeleton at the Australian Feast See: The Mysterious Incest
• The Sleep and the Waking Box 4, f. 25
• The Smell of Death and Flowers Box 12, f. 2; Box 13, f. 13
• The Soft Voice of the Serpent Box 12, f. 2
• The Soft Voice of the Serpent, and Other Stories Box 13, f. 18
• Soldier's Embrace [short story] Box 13, f. 19, 21
• Soldier's Embrace [short story collection] Box 13, f. 20-22
• Some are Born to Sweet Delight Box 9, f. 22, 23; Box 10, f. 1 - 7; Box 15, f. 86
• Some Monday for Sure Box 12, f. 2, 10; Box 13, f. 23
• Something for the Time Being [film] Box 13, f. 24
• Something for the Time Being [short story] Box 12, f. 2
• Something Out There [film] Box 14, f. 3
• Something Out There [novella] Box 13, f. 33, 34, 38; Box 14, f. 1; Box 15, f. 85
• Something Out There [story collection] Box 13, f. 25 - Box 14, f. 2; Box 15, f. 85
• Something Unexpected Box 14, f. 4
• Son-in-Law Box 12, f. 11; Box 14, f. 5
• Songololo Box 14, f. 6
• Sorting the Images from the Man Box 14, f. 7
• The South Africa I Want Box 14, f. 8
• South Africa: Explaining, Rationalizing, Forgetting Box 15, f. 64
• South Africa: The Way Writers Live Now Box 14, f. 9
• South Africa: Towards a Desk Drawer Literature Box 14, f. 10
• A South African Childhood Box 14, f. 11
• Speak Out: The Necessity for Protest Box 14, f. 12
• Spoils Box 9, f. 22, 23; Box 10, f. 1 - 7; Box 14, f. 13
• A Sport of Nature Box 14, f. 14 - 26; Box 15, f. 85; Box 21, f. 6
• Spring Box 4, f. 21
• A Stinging Touch of Local Colour Box 14, f. 27
• Story from the Top Shelf Box 14, f. 28
• Stranger in Town Box 14, f. 29
• A Style of Her Own Box 7, f. 20, 21
• Sweet Dreams SelectionBox 14, f. 30
• T
• A Tang of Smoke and Indigo Box 14, f. 31
• Tanzania: People, Not Money Box 14, f. 32
• Tenants of the Last Tree House Box 12, f. 11; Box 15, f. 1
• Teraloyna Box 9, f. 22, 23; Box 10, f. 1 - 7
• Terminal See: Love Stories: Blinder and Terminal
• The Termitary Box 13, f. 21; Box 15, f. 2
• They were back home again, all three of them [first line] Box 4, f. 25
• A Thing of the Past Box 7, f. 20, 21
• A Third Presence Box 10, f. 26; Box 15, f. 3
• Three in a Bed: Fiction, Morals and Politics Box 15, f. 4
• Through Time and Distance [film script] Box 15, f. 6
• Through Time and Distance [short story] Box 12, f. 11; Box 15, f. 5
• Time and Tailings See: Witwatersrand: A Time and Tailings
• Time Did Box 13, f. 21; Box 15, f. 7
• Tourism Box 13, f. 37; Box 14, f. 1; Box 15, f. 8, 85
• Towards the Heart of Darkness: Congo River Journey See: Congo
• Town and Country Lovers Box 13, f. 21; Box 15, f. 9
• The Train from Rhodesia Box 12, f. 2
• Transkei: A Vision of Two Blood-Red Suns Box 15, f. 10
• The Triumph of Memory Box 15, f. 11 29th October, 1989--A Beautiful Day, Com See: A Beautiful Day, Com
• The Two Souths--One World Box 15, f. 12
• U
• The Ultimate Safari Box 9, f. 22, 23; Box 10, f. 1 - 7
• Unchaining Poets Box 15, f. 13
• Unconfessed History Box 15, f. 14
• V
• The Valley Legend Box 4, f. 21
• The Value of a Conference Box 15, f. 15
• A View from the River See: Friday's Footprint [short story]
• A View of the Nile Box 15, f. 16
• Vision of Two Blood-Red Suns See: Transkei: A Vision of Two Blood-Red Suns
• The Visit Box 15, f. 17
• Visit to a Bachelor Box 15, f. 81
• Vital Statistics Box 12, f. 12; Box 15, f. 18
• Vladimir Ledochowski, Man of Two Worlds Box 15, f. 19
• The Voices We May Not Hear See: How Not to Know the African
• W
• A Watcher of the Dead Box 13, f. 18
• Waterford School: The Riches of Human Variety Box 15, f. 20
• West African DiarySee: Merci Dieu, It Changes
• What Being a South African Means to Me Box 15, f. 21
• What Happened to Burger's Daughter or How South African Censorship Works Box 15, f. 22 - 27
• What is a Writer's Freedom? Box 15, f. 28
• What is African Writing? See: The Black Interpreters
• What Shall I Write About? See: Writing and Writers in South Africa
• What Were You Dreaming? Box 9, f. 22, 23; Box 10, f. 1 - 7
• When I Lost My Innocence Box 15, f. 29
• Where Do Whites Fit in? Box 15, f. 30
• Which New Era Would That Be? Box 12, f. 2; Box 13, f. 13
• The White Goddess and the Mealie Question Box 13, f. 13
• Who Writes? Who Reads? The Concept of a People's Literature Box 15, f. 31
• Why Haven't You Written? Box 10, f. 26; Box 15, f. 32
• With Open Eyes Box 15, f. 33
• Witwatersrand: A Time and Tailings Box 15, f. 34
• The Worst Thing of All Box 12, f. 12; Box 15, f. 35
• The Writer in South Africa Today Box 15, f. 36
• A Writer's Freedom See: What is a Writer's Freedom?
• The Writer's Imagination and the Imagination of the State Box 15, f. 37
• Writers in South Africa See: South Africa: The Way Writers Live Now
• Writers in South Africa: The New Black Poets See: The Black Interpreters
• The Writer's Responsibility See: The Essential Gesture: Writers and Responsibility
• Writing and Being Box 21, f. 7 - 16
• Writing and Writers in South Africa Box 15, f. 38
• Writing in Africa: Nadine Gordimer Interviewed... Box 15, f. 39
• Y
• You Name It [short story] Box 13, f. 21; Box 15, f. 40
• You Name It [television script] Box 15, f. 41
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