Please contact the contributing institution: The Lilly Library or Indiana University Digital Library Program
Papers, 1885-1994, of Peter Bogdanovich at the Lilly Library, Indiana University, Bloomington, Indiana
Electronic finding aid encoded by Beth Benda.
Indiana University Digital Library Program © 2004
Repository:
Lilly
Library (Indiana University, Bloomington)
Indiana University
1200 E. Seventh St.
Bloomington, IN 47405-5500
Phone: 812-855-2452
Fax: 812-855-3143
Email: liblilly@indiana.edu
http://www.indiana.edu/~liblilly
Creator:
Bogdanovich, Peter, 1939-
Title:
Bogdanovich mss.,1885-1994
Collection no:
LMC 1115
Extent:
ca. 100,000 items
Language:
Materials are in English.
Abstract:
Consists of the papers, scripts, films,
etc., of actor, author, critic, film producer and director Peter Bogdanovich.
Access Restrictions:
This collection is open for research.
Acquisition Information:
Purchase. 1995
Usage Restrictions:
Prior arrangements are not necessary before coming to the Library, however, patrons
from out of town are encouraged to communicate with the Library in advance of their
visits to ascertain availability of materials.
Photocopying permitted only with permission of the Curator of Manuscripts, Lilly Library.
Preferred Citation:
[Item], Bogdanovich mss., Lilly Library, Indiana University, Bloomington,
Indiana.
Biographical Note:
Bogdanovich was born in 1939 in Kingston, New York. He attended Stella Adler's
Theatre Studio and has appeared on stage, screen and television. He was film critic
for Esquire, The New York Times, Cahiers du Cinema among others, and has written
numerous books on American cinema, most notably
The Cinema of
Alfred Hitchcock,
John Ford, and
This is Orson
Welles.
He also wrote
The Killing of the Unicorn:
Dorothy Stratten (1960-1980)
based on his relationship with the Playboy
centerfold who was murdered by her estranged husband.
He is the owner/founder of several production companies including: Saticoy Productions, Inc., Copa de Oro Productions and Moon Pictures. Bogdanovich directed his first feature film Targets, starring Boris Karloff in 1968. His breakthrough film, however, was The Last Picture Show (1971) based on the Larry McMurtry novel. Several successful and critically acclaimed films followed, notably his documentary Directed by John Ford (1971) and the comedies, What's Up Doc? (1972) and Paper Moon (1973). Subsequent films include Daisy Miller (1974), They All Laughed (1981), Mask (1985), and The Thing Call Love (1993). He is also credited for the screenplays of The Last Picture Show, its sequel Texasville, What's Up Doc?, and many others.
Consists of the papers, scripts, films, etc., of actor, author, critic, film producer and director Peter Bogdanovich.
The Office files, largely correspondence, relate to both his business and personal affairs. Correspondence is also present in the Film section along with scripts, production materials, stills, artwork, press kits, posters and clippings. Bogdanovich personally financed the distribution of They All Laughed and there are many additional materials for this picture, including box office statements, exhibitor contracts, and distribution records. Drafts and tear sheets of his articles and books, plus some related correspondence make up the Writing section.
Included in the collection are the personal papers of Bogdanovich's parents, Borislav and Herma Bogdanovich. They immigrated to the U.S. from Yugoslavia shortly before World War II, settling first in New York and later in Arizona. Much of the correspondence is with friends and family remaining in Yugoslavia. Boris, 1899-1970, was an artist by profession, and many of the papers relate to his exhibitions and the selling of his paintings. Also included in this section are Peter's letters to his family, and papers relating to his childhood and his early education at Collegiate School in New York.
Completing the collection are: 16mm, 35mm and videotapes of some of Bogdanovich's films, including much of the film shot and hundreds of outtakes and trims for They All Laughed; hundreds of audio cassettes of music for use in his films; and reel-to-reel audiotapes of interviews conducted by Bogdanovich with, or about, prominent film directors. Also present are thousands of color slides, primarily publicity and production shots for several of his films. Most notable, are more than 300 color slides taken during the production of The Last Picture Show which was filmed in black and white.
The collection is organized into the following series: I. Office; II. Films; III. Writings; IV. Financial; V. Borislav and Herma Bogdanovich; VI. Printed; VII. Mixed media.
The following terms have been used to index the description of this collection in IUCAT , the IU Libraries' online catalog. Materials about related topics, persons or places can be found by searching the catalog using these terms.
| Box 1 |
1948-1969
|
|
|
1948-1960's - miscellaneous
|
||
|
1954-1964 - miscellaneous
Includes: playbills of plays with PB as actor or director |
||
|
1964 - movie ideas
|
||
|
1966-1967 - studio outlines and synopsis
|
||
|
1960's - movie projects
(Marco, Go the full 9, Western, Times Square; stories) |
||
|
1964 -
invitations
|
||
|
1967-1968 - contracts, letters of agreement
|
||
|
1968 - photocopy of inscription to PB from Jean
Renoir
|
||
|
1969 - correspondence
|
||
| Box 1 |
1970
|
|
|
Miscellaneous personal correspondence
|
||
|
Miscellaneous business correspondence
|
||
|
Miscellaneous agent's correspondence
|
||
|
Polly's [Platt] correspondence
|
||
|
Christmas cards
|
||
|
Adams, Ray & Rosenberg
|
||
|
American Film Institute
(2 folders)
|
||
|
Buffalo Grass
|
||
|
Michael Caleri
|
||
|
Clippings
|
||
|
Ian Cameron
re: Dwan |
||
|
Directors Guild
|
||
|
Allan Dwan
|
||
|
Esquire
|
||
|
Miscellaneous Household business
|
||
|
Grover Lewis
|
||
|
Larry McMurtry
|
||
|
Adrienne Mancia/Museum of Modern Art
|
||
|
Sue Mengers
|
||
|
Movies: Research
|
||
|
N.Y. Times/Sy Peck
|
||
|
Photographs
|
||
|
Miscellaneous requests
|
||
|
Jack Schwartzman
|
||
|
Mark Shivas
|
||
|
Submissions
|
||
|
Targets
|
||
|
- correspondence
|
||
|
- clippings
|
||
|
Luciano Vincenzoni
|
||
|
Welles TV Show
|
||
|
Actors
|
||
|
- children
|
||
|
- character (men and women)
|
||
|
- young men
|
||
|
- young women
|
||
| Box 2 |
1971,
A - P
|
|
|
A - miscellaneous
|
||
|
Academy [of Motion Picture Arts and Sciences]
|
||
|
Adams, Ray & Rosenberg
|
||
|
Ajax Rent-A-Car
|
||
|
American Film Institute
|
||
|
Avon Books
|
||
|
B - miscellaneous
|
||
|
Banking
|
||
|
BBS [Productions]
|
||
|
Buffalo Grass
|
||
|
Business
|
||
|
C - miscellaneous
|
||
|
Cameron, Ian
|
||
|
Charge accts - miscellaneous
|
||
|
Christmas cards
|
||
|
CMA [Creative Management Associates]
|
||
|
[Correspondence] Fan Mail
|
||
|
Costume Designers Guild
|
||
|
D - miscellaneous
|
||
|
Directors Guild of America
|
||
|
Dwan, Allan
|
||
|
E - miscellaneous
|
||
|
F - miscellaneous
|
||
|
G - miscellaneous
|
||
|
Gollob, Herman
|
||
|
H - miscellaneous
|
||
|
Household - Maria [Villanueva] & gardener
|
||
|
House re: purchase
|
||
|
I - miscellaneous
|
||
|
J - miscellaneous
|
||
|
K - miscellaneous
|
||
|
L - miscellaneous
|
||
|
Mc - miscellaneous
|
||
|
M - miscellaneous
|
||
|
Miscellaneous
|
||
|
Museum of Modern Art
|
||
|
N - miscellaneous
|
||
|
Name in Print Department
|
||
|
O -miscellaneous
|
||
|
P - miscellaneous
|
||
|
Personal, Miscellaneous
|
||
|
Personal Records
|
||
|
Platt, Polly
|
||
|
Polly’s [Platt] correspondence
|
||
| Box 3 |
1971,
Q - Z
|
|
|
Q - miscellaneous
|
||
|
R - miscellaneous
|
||
|
S - miscellaneous
|
||
|
Saticoy Enterprises - Frame sales
|
||
|
Saticoy Productions
|
||
|
Schwartzmann, Jack
|
||
|
Siegel, Don
|
||
|
Stock Market
|
||
|
Submissions
|
||
|
Submissions, Invitations - No
|
||
|
T - miscellaneous
|
||
|
Targets
|
||
|
Telephone books, 1970-1971
|
||
|
Toni [Antonia Bogdanovich]
|
||
|
U - miscellaneous
|
||
|
V - miscellaneous
|
||
|
W - miscellaneous
|
||
|
Walsh, correspondence
|
||
|
Writers Guild
|
||
|
X,Y,Z - miscellaneous
|
||
|
Miscellaneous - 1971
|
||
| Box 3 |
1972,
A - C
|
|
|
A - miscellaneous
|
||
|
Academy of Motion Picture Arts and Sciences
|
||
|
Academy Awards
|
||
|
American Film Institute
|
||
|
American Film Institute - Miscellaneous
|
||
|
Air Freight Receipts
|
||
|
APAPA [corporation for the development and exhibition of artistic
products]
|
||
|
Archer, Eugene
|
||
|
Auto Insurance
|
||
|
Auto leasing
|
||
|
Auto - miscellaneous
|
||
|
Avon Books
|
||
|
B - miscellaneous
|
||
|
BBS
|
||
|
Bogdanovich exhibit & corres.
Re: Bogdanovich paintings |
||
|
Book inventory
|
||
|
C - miscellaneous
|
||
|
Cameron, Ian
|
||
|
Charge accounts
|
||
|
Christmas cards
|
||
|
CMA [Creative Management Associates]
|
||
|
Columbia correspondence
|
||
| Box 4 |
1972,
D - R
|
|
|
D - miscellaneous
|
||
|
Daily notes
|
||
|
DGA [Directors Guild of America]
|
||
|
Dietrich, Marlene
|
||
|
The Director’s Company
|
||
|
Donations
|
||
|
E - miscellaneous
|
||
|
Expenses - miscellaneous
|
||
|
F - miscellaneous
|
||
|
Film receipts
|
||
|
Francis, Bernie
|
||
|
Fuller, Sam
|
||
|
G - miscellaneous
|
||
|
Gollob, Herman
|
||
|
H - miscellaneous
|
||
|
Hayes, Harold
|
||
|
House
|
||
|
- Bel Air Patrol
|
||
|
- household charge accounts
|
||
|
- insurance
|
||
|
- Bob Lang
|
||
|
- loan
|
||
|
- Maurice Prince
|
||
|
- service contracts
|
||
|
- miscellaneous
|
||
|
I - miscellaneous
|
||
|
Insurance
|
||
|
- AFTRA [American Federation of Television and Radio
Artists]
|
||
|
- DGA [Directors Guild of America]
|
||
|
- Jules Berlin, Bob Sattler
|
||
|
J - miscellaneous
|
||
|
Jones, Chuck
|
||
|
K - miscellaneous
|
||
|
L - miscellaneous
|
||
|
Lambert, Gavin - correspondence & location
research
|
||
|
Last Picture Show
|
||
|
Last Picture Show, letters
|
||
|
Lease, deposits, insurance guarantees
|
||
|
Mc - miscellaneous
|
||
|
McBride, Joe
|
||
|
Paul McCluskey
|
||
|
Paul McCluskey book
|
||
|
McMurtry, Larry
|
||
|
M - miscellaneous
|
||
|
Miller, Bob
|
||
|
N - miscellaneous
|
||
|
O - miscellaneous
|
||
|
P - miscellaneous
|
||
|
Q - miscellaneous
|
||
|
R - miscellaneous
|
||
|
Renoir, Jean
|
||
|
Rogers, Ann
|
||
| Box 5 |
1972,
S - Z
|
|
|
S - miscellaneous
|
||
|
Saticoy [Productions]
|
||
|
Saticoy [Productions] - Minority Labor Pool
|
||
|
Schwartzman & Greenberg
|
||
|
Shephard, Mark
|
||
|
Stocks
(2 folders)
|
||
|
Supply receipts
|
||
|
T - miscellaneous
|
||
|
Targets
|
||
|
Texas Girl
|
||
|
Texas locations
|
||
|
U - miscellaneous
|
||
|
USA film festival
|
||
|
V - miscellaneous
|
||
|
Vogue photos
|
||
|
W - miscellaneous
|
||
|
Warners Inner Office
|
||
|
W[arner] B[rothers] legal
|
||
|
Warners work authorizations
|
||
|
Welles, Orson, correspondence re:
|
||
|
What’s Up Doc - business
|
||
|
Writers Guild
|
||
|
X,Y,Z - miscellaneous
|
||
| Box 5 |
1972,
Miscellaneous
|
|
|
Autograph/photo requests
|
||
|
Crazy letters
|
||
|
Fan letters
|
||
|
Foreign language letters
|
||
|
Invitations
|
||
|
- personal accepted
|
||
|
- speaking, writing, interviews
|
||
|
Last Picture Show letters
|
||
|
What’s Up Doc letters
(2 folders)
|
||
|
Programs
|
||
|
Miscellaneous
|
||
| Box 6 |
1972,
Miscellaneous
|
|
|
Requests for career advice
|
||
|
Requests for jobs - acting
(3 folders)
|
||
|
Requests for jobs - production
|
||
|
Submissions
|
||
|
- books
|
||
|
- ideas and treatments
|
||
|
- scripts
|
||
|
Woods, Mae - miscellaneous
|
||
|
Photos
(2 folders)
|
||
|
Polly [Platt]
|
||
|
Toni [Antonia Bogdanovich]
|
||
|
Personal
|
||
|
Miscellaneous
|
||
| Box 6 |
1973,
A
|
|
|
A - miscellaneous
|
||
|
Adams, Ray & Rosenberg
|
||
|
Air Freight receipts
|
||
|
American Film Institute
(2 folders)
|
||
|
APAPA
|
||
|
Arbor House
|
||
|
Avon Books [Publishing]
|
||
| Box 7 |
1973,
B - Mc
|
|
|
B - miscellaneous
|
||
|
Banking
|
||
|
C - miscellaneous
|
||
|
Chaplin, Charles
|
||
|
Christmas cards
|
||
|
CMA [Creative Management Associates]
|
||
|
D - miscellaneous
|
||
|
Daily notes
|
||
|
The Director’s Company
|
||
|
DGA [Directors Guild of America]
|
||
|
Donations
|
||
|
E - miscellaneous
|
||
|
Esquire column letters
|
||
|
F - miscellaneous [Coppola, Capra letters]
|
||
|
Film receipts
|
||
|
Fuller, Sam
|
||
|
G - miscellaneous
|
||
|
H - miscellaneous
|
||
|
Hebrew Y [Young Men’s & Young Women’s Hebrew
Association]
|
||
|
House loan
|
||
|
Household charge accounts
|
||
|
I - miscellaneous
|
||
|
Insurance
|
||
|
Insurance
|
||
|
- AFTRA [American Federation of Television and Radio
Artists]
|
||
|
- DGA [Directors Guild of America]
|
||
|
J - miscellaneous
|
||
|
Jaffe, Steve
|
||
|
K - miscellaneous
|
||
|
L - miscellaneous
|
||
|
Lang, Bob
|
||
|
Last Picture Show
|
||
|
Last Picture Show
|
||
|
- letters
|
||
|
- mentions
|
||
|
McCluskey, Paul
|
||
|
McMurtry, Larry
|
||
| Box 8 |
1973,
M - W
|
|
|
M - miscellaneous
|
||
|
Miscellaneous
|
||
|
Model of the Year [Cybill Shepherd]
|
||
|
MPAA [Motion Picture Association of America]
|
||
|
N - miscellaneous
|
||
|
New York correspondence
|
||
|
O - miscellaneous
|
||
|
Office supply information
|
||
|
P - miscellaneous
|
||
|
Paper Moon
|
||
|
- expenses
|
||
|
- letters
|
||
|
Pieces of Time reviews
|
||
|
Q - miscellaneous
|
||
|
R - miscellaneous
|
||
|
Rogers, Ann
|
||
|
Rogers, Cowen & Brenner
|
||
|
S - miscellaneous
|
||
|
Schwartzman & Greenberg
|
||
|
Service contracts
|
||
|
Sony
|
||
|
Stocks
|
||
|
Supply receipts
|
||
|
T - miscellaneous
|
||
|
Targets letters
|
||
|
Targets - publicity
|
||
|
Texas Girl
|
||
|
Travel
|
||
|
U - miscellaneous
|
||
|
V - miscellaneous
|
||
|
Vidor, King
|
||
|
Vincenzoni, Luciano
|
||
|
W - miscellaneous
|
||
|
Wilson, Elizabeth
|
||
|
W[arner] B[rothers]
|
||
|
- Inter Office
|
||
|
- Memos re: studio changes
|
||
|
- work authorizations
|
||
|
Welles, Orson, correspondence re:
|
||
|
What’s Up Doc?
|
||
|
- statements
|
||
|
- letters
|
||
|
Woods, Mae
|
||
| Box 9 |
1973,
W (cont.) - Z
|
|
|
Writers Guild
|
||
|
X,Y,Z - miscellaneous
|
||
|
Yugoslav Contacts
|
||
| Box 9 |
1973,
Miscellaneous
|
|
|
Miscellaneous solicitations
|
||
|
Submissions
|
||
|
- books
|
||
|
- ideas/treatments
|
||
|
- scripts
|
||
|
Invitations - speaking, interviews, writing
|
||
|
Requests for jobs - acting
|
||
|
Requests for career advice
|
||
|
Requests for jobs - production
|
||
|
Invitations - Miscellaneous
|
||
|
Autograph/photo requests
|
||
|
Fan letters
|
||
|
Crazy letters
|
||
|
Photographs
|
||
|
Polly Platt
|
||
|
Toni [Antonia Bogdanovich]
|
||
|
Personal
|
||
| Box 10 |
1974,
A - D
|
|
|
A - miscellaneous
|
||
|
Academy of Motion Picture Arts and Sciences
|
||
|
Air freight receipts
|
||
|
American Film Institute
|
||
|
AFI [American Film Institute] - miscellaneous
|
||
|
APAPA
|
||
|
Allen & Unwin, Ltd.
|
||
|
Arbor House
|
||
|
Avon Books
|
||
|
B - miscellaneous
|
||
|
Banking
|
||
|
Jules Berlin Insurance
|
||
|
PB bio[graphical]
|
||
|
Book requests re: column
|
||
|
Book requests
|
||
|
C - miscellaneous
|
||
|
Christmas cards
|
||
|
Christmas cards [list]
|
||
|
C.I.C. [Cinema International Corporation]
|
||
|
Cybill Does It
|
||
|
Cybill publicity schedules
|
||
|
CMA [Creative Management Associates]
|
||
|
D - miscellaneous
|
||
|
Daisy Miller
|
||
|
DGA [Directors Guild of America]
|
||
|
The Director's Company
|
||
|
Donations
|
||
| Box 11 |
1974,
E - V
|
|
|
E - miscellaneous
|
||
|
Energy Fair - L.A.
|
||
|
Film receipts and freight
|
||
|
G - miscellaneous
|
||
|
H - miscellaneous
|
||
|
Hart, Lorenz
|
||
|
Household
|
||
|
Household charge accounts
|
||
|
I - miscellaneous
|
||
|
J - miscellaneous
|
||
|
Jaffe, Steve
|
||
|
K - miscellaneous
|
||
|
Lang, Bob
|
||
|
P - miscellaneous
|
||
|
Paper Moon,
|
||
|
- business
|
||
|
- letters
|
||
|
Paramount publicity
|
||
|
Picture Palace
|
||
|
Pieces of Time reviews
|
||
|
Project X
|
||
|
Q - miscellaneous
|
||
|
R - miscellaneous
|
||
|
Rogers, Ann
|
||
|
Rogers, Cowan & Brenner
|
||
|
Rolls Royce
|
||
|
S - miscellaneous
|
||
|
Sachs, Chuck
|
||
|
Saticoy Productions
|
||
|
Schwartzman & Greenberg
|
||
|
Sereny, Eva
|
||
|
Service contracts
|
||
|
Stocks
|
||
|
Supply receipts
|
||
|
T - miscellaneous
|
||
|
Targets
|
||
|
Tonight Show
|
||
|
Travel
|
||
|
20th Century Fox - interoffice correspondence
|
||
|
U - miscellaneous
|
||
|
U.S.A.
|
||
|
V - miscellaneous
|
||
|
Vincenzoni, Luciano
|
||
| Box 12 |
1974,
W - Z
|
|
|
W - miscellaneous
|
||
|
Warner Bros. interoffice
|
||
|
Welles, Orson, correspondence re:
|
||
|
What's Up Doc?
|
||
|
- business
|
||
|
- letters
|
||
|
- mentions
|
||
|
Thornton Wilder Project
|
||
|
Woods, Mae
|
||
|
Writers Guild
|
||
|
X,Y,Z - miscellaneous
|
||
| Box 12 |
1974,
Miscellaneous
|
|
|
Charlie Gallagher, My Love!
(2 folders)
|
||
|
Death on the Sixth Day
|
||
|
The Wicked Pavilion
|
||
|
Daily notes
|
||
|
Polly Platt
|
||
|
Toni [Antonia Bogdanovich]
|
||
|
Herma Bogdanovich
|
||
|
Cybill's laryngitis
|
||
|
Personal
|
||
|
Photos
|
||
|
Invitations
|
||
|
- accepted
|
||
|
- miscellaneous
|
||
| Box 13 |
1974,
Miscellaneous
|
|
|
Invitations - speaking, writing, interviews
|
||
|
Actors
|
||
|
Job requests
|
||
|
- actors
|
||
|
- production
|
||
|
Requests for career advice
|
||
|
Autograph/photo requests
|
||
|
Crazy letters
|
||
|
Daisy Miller, letters re:
|
||
|
Fan letters
|
||
|
Submissions
|
||
|
- books
|
||
|
- ideas & treatments
|
||
|
- scripts
|
||
|
Miscellaneous solicitations
|
||
|
Reader's reports
|
||
|
Miscellaneous
|
||
| Box 13 |
1975,
A- AFI
|
|
|
A - miscellaneous
|
||
|
Abracadabra
|
||
|
Academy [of Motion Picture Arts & Sciences]
|
||
|
AFTRA [American Federation of Television and Radio Artists] Copa de
Oro Productions
|
||
|
Allen & Unwin
|
||
|
AFI [American Film Institute]
|
||
|
AFI - Directed by John Ford
|
||
| Box 14 |
1975,
A (cont.) - I
|
|
|
AFI - Orson Welles Award
|
||
|
AFI - OW Tribute Publicity
|
||
|
APAPA
|
||
|
Arbor House
|
||
|
Avon Books
|
||
|
B - miscellaneous
|
||
|
Banking
|
||
|
Book donation
|
||
|
Book requests
|
||
|
Book rights
|
||
|
C - miscellaneous
|
||
|
Charge accounts
|
||
|
Christmas cards
|
||
|
C.I.C.
|
||
|
Columbia inter-office
|
||
|
Cybill
|
||
|
Cybill Does It
|
||
|
D - miscellaneous
|
||
|
D.W. Griffith Centennial celebration at MOMA
|
||
|
Daisy Miller
(2 folders)
|
||
|
Dell Books
|
||
|
DGA [Directors Guild of America]
|
||
|
Donations
|
||
|
E - miscellaneous
|
||
|
F - miscellaneous
|
||
|
Film Festival (Yugoslavia)
|
||
|
Fox
|
||
|
Francis, Bernie
|
||
|
G - miscellaneous
|
||
|
H - miscellaneous
|
||
|
Household
|
||
|
I - miscellaneous
|
||
|
Insurance
|
||
|
Insurance
|
||
|
- AFTRA [American Federation of Television and Radio
Artists]
|
||
|
- DGA [Directors Guild of America]
|
||
| Box 15 |
1975,
I (cont.) - T
|
|
|
Insurance,
|
||
|
- Group
|
||
|
- House
|
||
|
J - miscellaneous
|
||
|
K - miscellaneous
|
||
|
L - miscellaneous
|
||
|
Lang, Bob
|
||
|
Last Picture Show
|
||
|
Mc - miscellaneous
|
||
|
McMurtry, Larry
|
||
|
M - miscellaneous
|
||
|
Messenger receipts
|
||
|
Museum of Modern Art
|
||
|
Music
|
||
|
N - miscellaneous
|
||
|
O - miscellaneous
|
||
|
Office
|
||
|
P - miscellaneous
|
||
|
Paper Moon
|
||
|
Polly Platt
|
||
|
The Poison Baton
|
||
|
R - miscellaneous
|
||
|
Ray, Nicholas
|
||
|
Rolls Royce - Bruce Kallenberg
|
||
|
S - miscellaneous
|
||
|
Schwartzman & Greenberg
|
||
|
Stocks
|
||
|
T - miscellaneous
|
||
|
Tabac Rhein
|
||
|
Targets
|
||
|
Taxi Driver
|
||
|
Tonight Show
|
||
|
Toni (Antonia Bogdanovich)
|
||
|
Travel - Salzburg Festival
|
||
|
Travel info
|
||
| Box 16 |
1975,
T (cont.) - Z
|
|
|
Travel
|
||
|
U - miscellaneous
|
||
|
V - miscellaneous
|
||
|
W - miscellaneous
|
||
|
Ted Weiner oil investment
|
||
|
Welles, Orson
|
||
|
What's Up Doc?
|
||
|
Writers Guild
|
||
|
X,Y,Z - miscellaneous
|
||
|
Yugoslav contacts
|
||
| Box 16 |
1975,
Miscellaneous
|
|
|
Daily notes
|
||
|
Personal
|
||
|
Fan photos
|
||
|
Invitations
|
||
|
- miscellaneous
|
||
|
- personal
|
||
|
- writing, speaking
|
||
|
Requests - autographs & photos
|
||
| Box 17 |
1975,
Miscellaneous
|
|
|
Actors photo file
|
||
|
Daisy Miller
|
||
|
Hollywood Story
|
||
|
King of the Gypsies
|
||
|
Paper Moon
|
||
|
Targets
|
||
|
What's Up Doc?
|
||
|
Interviews
|
||
|
PB mentions
|
||
|
Crazy letters
|
||
|
Fan letters
|
||
|
Foreign letters
|
||
|
Requests for career advice
|
||
|
Requests for production jobs
|
||
|
Letters
|
||
|
- re: acting
|
||
|
- re: books
|
||
|
- re: scripts
|
||
|
Treatments
|
||
|
Reader's reports
|
||
|
Miscellaneous
(2 folders)
|
||
| Box 18 |
1976,
A - D
|
|
|
A - miscellaneous
|
||
|
Abracadabra
|
||
|
Academy [of Motion Picture Arts & Sciences]
|
||
|
Actors file - general
|
||
|
AFTRA [American Federation of Television and Radio
Artists]
|
||
|
APAPA
|
||
|
At Long Last Love
|
||
|
Avon Books
|
||
|
B - miscellaneous
|
||
|
Bekins
|
||
|
The Big Red One
|
||
|
Bogdanovich, Herma
|
||
|
Bogdanovich children
|
||
|
Books - correspondence
|
||
|
British Lion
|
||
|
Bugsy
|
||
|
C - miscellaneous
|
||
|
A Change of Seasons
|
||
|
Christmas cards
|
||
|
Columbia Inter-office
|
||
|
D - miscellaneous
|
||
|
Daily notes
|
||
|
Daisy Miller
|
||
|
Director's Company
(2 folders)
|
||
| Box 19 |
1976,
D (cont.) - Z
|
|
|
Directors Guild
|
||
|
E - miscellaneous
|
||
|
F - miscellaneous
|
||
|
Films
(2 folders)
|
||
|
Filmography - Targets, LPS, WUD, PM
|
||
|
G - miscellaneous
|
||
|
Giacci, Vittorio
|
||
|
Instructions
|
||
|
L - miscellaneous
|
||
|
Last Picture Show
|
||
|
- business
|
||
|
- letters
|
||
|
Last Picture Show
|
||
|
M - miscellaneous
|
||
|
Mc - miscellaneous
|
||
|
McCluskey, Paul
|
||
|
McMurtry, Larry
|
||
|
N - miscellaneous
|
||
|
New York magazine
|
||
|
New York column, letters
|
||
|
O - miscellaneous
|
||
|
Reader's reports, 1976-1977
|
||
|
SAG
|
||
|
Warranties
(2 folders)
|
||
|
Weiner, Ted
|
||
|
Welles, Orson,
|
||
|
- Piece for NY Review of Books
|
||
|
- Miscellaneous
|
||
|
What's Up Doc?
|
||
|
Will
|
||
|
Writers Guild
|
||
|
X,Y,Z - miscellaneous
|
||
|
Yugoslavian correspondence
|
||
|
Zurich Show
|
||
| Box 20 |
1976,
Miscellaneous
|
|
|
Biography
|
||
|
Books
|
||
|
Career advice
|
||
|
Certificates, awards, etc.
|
||
|
Contracts
|
||
|
Crazy letters
|
||
|
Deal proposals, United Artists
|
||
|
Fan letters
|
||
|
Fund raising events
|
||
|
Identification papers – passports, birth certificate (Peter and
Antonia)
|
||
|
Inventory
|
||
|
Invitations
(3 folders)
|
||
|
Legal
|
||
|
Mentions
|
||
|
Personal
(3 folders)
|
||
|
Phone book
|
||
|
Phone lists
|
||
|
Production jobs
|
||
| Box 21 |
1976,
Miscellaneous (cont.)
|
|
|
Requests - Interviews, writing, appearances
|
||
|
Requests for photos
|
||
|
Screenplays, correspondence
|
||
|
Special project requests
|
||
|
Solicitations - miscellaneous
|
||
|
Stories, ideas, etc.
|
||
|
Treatments
|
||
|
At Long Last Love
|
||
|
What's Up Doc?
|
||
| Box 21 |
1977-1978, A - C
|
|
|
The Academy [of Motion Picture Arts & Sciences]
|
||
|
Adler, Stella
|
||
|
AFTRA [American Federation of Television and Radio
Artists]
|
||
|
Alben, Ruth - speaking engagements
|
||
|
American Film Institute
|
||
|
American Film Institute seminar
|
||
|
Antonia's [Bogdanovich] stories
|
||
|
Big Red One
|
||
|
Books
|
||
|
Carey, Harry, Jr.
|
||
|
Christmas, birthday, Father's Day cards
(2 folders)
|
||
| Box 22 |
1977-1978, C (cont.) - Z
|
|
|
Copa de Oro/Ben Gazzara employment agreement
|
||
|
Correspondence
|
||
|
- personal
|
||
|
- books
|
||
|
- fan mail
|
||
|
- general
|
||
|
- screenplays
|
||
|
Donation requests
|
||
|
Film damage
|
||
|
Film vault
|
||
|
German film festival correspondence
|
||
|
Guttman & Pam correspondence
|
||
|
Heaven Can Wait
|
||
|
Household
|
||
|
ICM [International Creative Management]
|
||
|
Interview
|
||
|
Investments
|
||
|
Invitations
|
||
|
Kitchen floor repair
|
||
|
The Last Picture Show
|
||
|
Lefkowitz
|
||
|
Legal
|
||
|
Magazine articles, newspaper clippings, etc.
|
||
|
Music – miscellaneous
|
||
|
Museum of Modern Art
|
||
|
Passport
|
||
|
Pippiatt, Michael
|
||
|
Powsner, Robert
|
||
|
Publicity
|
||
|
Saticoy [Productions]
|
||
|
- versus Universal
|
||
|
- profit sharing
|
||
|
Schwartzman/Greenberg
|
||
|
Shot in the Dark
|
||
|
Special project requests
|
||
|
Ted Weiner oil
|
||
|
Writers Guild
|
||
| Box 23 |
1979-1985, A - B
|
|
|
The Academy [of Motion Picture Arts & Sciences]
(2 folders)
|
||
|
The Academy [of Motion Picture Arts & Sciences]... Allan
Dwan tribute
|
||
|
Adams, Ray, Rosenberg, Inc.
|
||
|
Adler, Stella
|
||
|
AFI [American Film Institute]
|
||
|
AFTRA [American Federation of Television and Radio
Artists]
|
||
|
Air France
|
||
|
All That Jazz
|
||
|
Amadeus
|
||
|
Angell, Frank
|
||
|
Anthology Film Archives
|
||
|
APA (Marty Klein) [Agency for the Performing Arts]
|
||
|
APAPA
|
||
|
At Long Last Love
|
||
|
Art & Music
|
||
|
Astrology
(2 folders)
|
||
|
Automobile Club of Southern California
|
||
|
Aviation
|
||
|
Aznavour, Charles
|
||
|
Ball, Earl Poole
|
||
|
Barovick, Oniecky, Brawn, Schwartz & Ray
|
||
|
B.C. [British Columbia] property
|
||
|
Bell Air Association correspondence - informational
|
||
|
The Big Red One
|
||
|
Bios
(2 folders)
|
||
|
The Birthday Book
|
||
|
Bizio, Silvia interview w/PB
|
||
|
Black Sox scandal
|
||
|
Blaine, Marc
|
||
|
Blithe Spirit
|
||
|
Bloom, John
|
||
|
BMI [Broadcast Music, Inc.]
|
||
|
Boetticher, Budd
|
||
|
Bingo [PB's dog]
|
||
|
Bogdanovich, Alexandra
|
||
|
Bogdanovich, Anna
|
||
|
Bogdanovich, Antonia
|
||
|
Bogdanovich, Antonia & Sashy, school
|
||
|
Bogdanovich, Herma estate
|
||
|
Bogdanovich vs. Universal
|
||
|
Bogdanovich Pictures Corp. prospectus
|
||
| Box 24 |
1979-1985, B (cont.) - C
|
|
|
Books
|
||
|
Books
|
||
|
- catalogs
|
||
|
- general
|
||
|
- Limited Editions Club
|
||
|
The Boys from Syracuse
|
||
|
Brennan, Eileen
|
||
|
Brewster's Millions
|
||
|
Bridge of San Luis Rey
(2 folders)
|
||
|
Buffalo Resources Corp.
|
||
|
Bugsy [Spiegal project]
|
||
|
Burgess, Anthony
|
||
|
Business brochures
|
||
|
Cahier du Cinema
|
||
|
Cal-Ranch
|
||
|
Camera
|
||
|
Camp, Colleen
|
||
|
Camp, Colleen - album
|
||
|
Camp, Colleen & Linda, Vogue (Paris)
|
||
|
Camp & Peiffer
|
||
|
Camp, William
|
||
|
Capra, Frank
|
||
|
Car rentals
|
||
|
Cassavettes, John
|
||
|
Chaplin[, Charles - regarding unauthorized use of film
clips]
|
||
|
Chelsea House "Allan Dwan" "Fritz Lang"
|
||
|
Children
|
||
|
Children and the media
|
||
|
Christmas, 1983
|
||
|
Christmas cards
(2 folders)
|
||
| Box 25 |
1979-1985, C (cont.)
|
|
|
Cipes, Adrian
|
||
|
Cold Heaven
|
||
|
Collegiate School Alumni Association
|
||
|
Columbia College
|
||
|
Condolences, Aug. 1980
|
||
|
Confidentiality of information
|
||
|
Coolidge, Martha
|
||
|
Contacts - San Francisco, Europe, Hong Kong, NYC, Singapore, U.S.A.
(6 folders)
|
||
|
Copa de Oro Productions
|
||
|
Copa de Oro Productions - by laws
|
||
|
Copa de Oro Road, Los Angeles, CA 90077
|
||
|
Correspondence - special projects, requests, personal screenplays,
general, outgoing, incoming, fan mail
(11 folders)
|
||
| Box 26 |
1979-1985, C (cont.)
|
|
|
Correspondence - personal, general, etc. divided by year, 1981-1985
(17 folders)
|
||
| Box 27 |
1979-1985, C (cont.) - D
|
|
|
Correspondence - personal, general, etc. divided by year, 1985 (cont.)
(6 folders)
|
||
|
Coward, Noel
|
||
|
Crist, Judith (PB interview for book)
|
||
|
Cullen, Brian
|
||
|
Current, 1979
|
||
|
Customs broker
|
||
|
Daily reports, 1978-1984
(8 folders)
|
||
|
Daisy Miller
|
||
|
Denver Film Festival
|
||
|
Design for Living
|
||
|
Devore, Gary
|
||
|
Diener/Hauser/Bates
|
||
|
Dietrich, Marlene
|
||
|
Directors Guild of America
(3 folders)
|
||
| Box 28 |
1979-1985, D (cont.) - H
|
|
|
Divorce, 1982
|
||
|
Dodds, John
|
||
|
Dogs, 1985
|
||
|
Employment - resumes
|
||
|
Equinox, Ltd.
|
||
|
Esquire correspondence
|
||
|
Federal Express
|
||
|
Ferrer, Sean H.
|
||
|
Feydeau, Georges
|
||
|
Fields, Verna
|
||
|
Film processing
|
||
|
Film rental
|
||
|
Filmex 1983
|
||
|
Final Cut, 4/2/1985
|
||
|
Fine Foods
|
||
|
First Los Angeles Bank
|
||
|
Fisch, Richard
|
||
|
Ford, John - movie project
|
||
|
Form letters
|
||
|
Frings, Kurt
|
||
|
Fuller, Sam
|
||
|
Galey inventory
|
||
|
Gazzara, Ben
|
||
|
German western
|
||
|
Ghost Town
|
||
|
Gilda Live, 1980
|
||
|
Goldstein
|
||
|
Good People
|
||
|
Goodbye Fidel
|
||
|
Grauer, Joanne
|
||
|
Graves, Robert
|
||
|
Griffith
|
||
|
Guarantees and instructions
|
||
|
Hardee, Borovick, Konecky, & Braun
|
||
|
Hawaiian trip
|
||
|
Hawks, Howard
|
||
|
Health
|
||
|
Hepburn, Audrey
|
||
|
Hitchcock, Alfred
|
||
|
Hitchcock tribute, 12/5/1984
|
||
|
Hollywood - Legend and Reality, Smithsonian exhibit, by Michael
Webb
|
||
|
Hollywood, the Pioneers
|
||
|
Hollywood script letter
|
||
|
Holocaust Survivors Memorial Foundation
|
||
|
Hoogstraten, Darcy
|
||
|
Hoogstraten, Louise
|
||
|
Hoogstraten, Nellie
(2 folders)
|
||
|
Hoogstraten, Nellie - custody agreement
|
||
|
Horses
|
||
|
House of Cash
|
||
|
House of Mirth
|
||
| Box 29 |
1979-1985, I - M
|
|
|
ICM
|
||
|
ICM vs. Bogdanovich
|
||
|
Income reports
|
||
|
Independent Feature Project
|
||
|
Interpreters
|
||
|
Interview requests
|
||
|
Inventory - paintings, artwork
|
||
|
Inventory of paintings, Scottsdale house
|
||
|
Inventory
(2 folders)
|
||
|
Invitations and requests
(3 folders)
|
||
|
Israel
|
||
|
It Grows on Trees
|
||
|
Jacob, Jim
|
||
|
Jaglom, Henry
|
||
|
Job application forms
|
||
|
Jordan, William
|
||
|
Kabbalah
(2 folders)
|
||
|
Kennedy Center honors, 1981
|
||
|
Killing of the Unicorn correspondence
|
||
|
King Jesus
|
||
|
Korda, Michael, review - Washington Post, 1979
|
||
|
Kroll, Jack
|
||
|
L.A.P.D. - re: Mon. 8/18/1980 (theft)
|
||
|
L.A. Theatre Magazine
|
||
|
Lancaster, Burt (Dallas tribute)
|
||
|
Last Picture Show
|
||
|
Lewis, Jerry
|
||
|
Locations
|
||
|
The Loser
(2 folders)
|
||
|
Lubitsch
|
||
|
McDonald, Ed
|
||
|
McMurtry, Larry
|
||
|
Mailer, Norman - PB witness
|
||
|
Mammom & the Black Goddess
|
||
|
Medical
|
||
|
Mestres, Ricardo - projects
|
||
|
Miami Film Festival
|
||
|
Money
|
||
|
Monika [music composition: music by Eugenio Grandi, lyrics by PB and
Ben Gazzara]
|
||
|
Montana
|
||
|
Moon Pictures
(3 folders)
|
||
|
Moon Pictures
|
||
|
- music - Jo-el Sonnier
|
||
|
- personnel
|
||
|
- trademark
|
||
|
Morfogen, George
|
||
|
Motion Picture Association of America, Inc.
|
||
| Box 30 |
1979-1985, M (cont.) - P
|
|
|
Motion Picture Association of America, Inc. - title
registration
|
||
|
Motion Picture Association of America, Inc.
|
||
|
Movie theatre info.
|
||
|
Movie titles/release dates
|
||
|
Muller, Robby
|
||
|
Music
(2 folders)
|
||
|
The Mythology of Movies 3/16/1983
(4 folders)
|
||
|
Nelly's D [Petronella (Hoogstraten) Eldridge's divorce]
|
||
|
New Projects
|
||
|
New York apartment
|
||
|
Nickelodeon
(2 folders)
|
||
|
Novak, Blaine
|
||
|
Novak, Blaine (Ufland contracts)
|
||
|
Odets, Clifford
|
||
|
Nowosad, Janet C.
|
||
|
Odyssey
|
||
|
Odyssey - scripts
|
||
|
One Day Since Yesterday
|
||
|
O'Neal, Tatum
|
||
|
The Other Side of the Wind
|
||
|
Paper Moon
|
||
|
Paramount/current address and statement
|
||
|
Past All Dishonor,
|
||
|
1981
|
||
|
- correspondence, 1981 & 1982
|
||
|
- agreements, 1981 & 1982
|
||
|
Patty [clippings of ads with unidentified model]
|
||
|
Peck, Sy
|
||
|
Peppiatt, Michael
|
||
| Box 31 |
1979-1985, P (cont.) - S
|
|
|
Photos
(2 folders)
|
||
|
Photos
|
||
|
- [of] Peter, Bailey/Zito
|
||
|
- [of Peter and family]
|
||
|
Piano teachers
|
||
|
Picture Shows
|
||
|
Pieces of Time
|
||
|
Platt, Polly
|
||
|
The Plaza
|
||
|
PMK [public relations]
(2 folders)
|
||
|
Poems
|
||
|
Pollock, Bloom & Dekom
|
||
|
Pool table
|
||
|
Powsner & Rubin
|
||
|
Powsner, Bob
|
||
|
Present Laughter
|
||
|
President's letter [re: pornography], 1985
|
||
|
Presley, Elvis
|
||
|
Press conference, 3/7/1985
|
||
|
Public relations, 1985
|
||
|
Press screening info
|
||
|
Prints
|
||
|
Private Lives
|
||
|
Producers Guild
|
||
|
Publishing
|
||
|
Pullman Car Hiawatha
|
||
|
Quarto
|
||
|
Radio broadcasting - FCC
|
||
|
Receipts [i.e. recipes]
|
||
|
Record[ings]
|
||
|
Renoir, Jean
|
||
|
Ride, Boldly Ride
|
||
|
Ritter, John
|
||
|
Rosebud County
|
||
|
Roth, Patrick
|
||
|
Roy Export vs. CBS
|
||
|
Sackler, Howard
|
||
|
Saille Productions Inc.
|
||
|
Saint Jack
|
||
|
Saticoy [Productions]
|
||
|
Saticoy [Productions]
|
||
|
- (by-laws)
|
||
|
- (profit sharing)
|
||
|
Say It Ain't So, Joe
|
||
|
Screenings - contracts, miscellaneous, 1977
|
||
|
Script file, 1982-1984
|
||
| Box 32 |
1979-1985, S (cont.) - T
|
|
|
Script reports, up to and including 1985
|
||
|
Scripts, unsolicited
|
||
|
Schwartz, Russell
|
||
|
Security
|
||
|
Segal & Goldman, 1979
|
||
|
Selznick, Daniel, 1980
|
||
|
Shakespeare project
|
||
|
Shanley Oil
|
||
|
Silver Moon
|
||
|
Snider, Paul
|
||
|
Sonnier, Jo-El
|
||
|
Speaking engagements
|
||
|
Star 80,
|
||
|
- correspondence
|
||
|
- script
|
||
|
Starger, Martin
|
||
|
Stratten - Strangers Kiss, Novak
|
||
|
Stratten, Dorothy R.,
|
||
|
Cosmopolitan, March 1983
|
||
|
- estate of, 1985
|
||
|
- correspondence
|
||
|
- estate v. Goldstein & MGM
(2 folders)
|
||
|
- quitclaim
|
||
|
Streisand, Barbara
|
||
|
Strike & Hyde [aka Paradise Road]
|
||
|
Superwomen
|
||
|
Synopsis/script submitted
|
||
|
Talbot, Dan
|
||
|
Technical Services
|
||
|
Technicolor
|
||
|
Telephone book
|
||
|
Telephone numbers, old
(2 folders)
|
||
|
Telephone system
|
||
|
TV info
|
||
|
Teller, Ira
|
||
|
Tennessee
|
||
|
That's All Folks
|
||
|
Title Registration
|
||
|
Tobacco
|
||
|
Trampoline
|
||
|
Travel arrangements, flight info, etc.
|
||
|
Trees
|
||
|
Triad Artists
|
||
|
Tri-Star
|
||
|
Typeface (list)
|
||
| Box 33 |
1979-1985, U - Z
|
|
|
UC - Berkeley Film Festival
|
||
|
UCLA
|
||
|
Ufland Agency
|
||
|
Ulmer, Edgar (copyright)
|
||
|
Ulmer, Shirley
|
||
|
U.S.A. film festival - Dallas
(3 folders)
|
||
|
U.S.A. trilogy
|
||
|
Valley National Bank
|
||
|
Video cassettes at Copa [de Oro]
|
||
|
Villanueva, Maria (housekeeper)
|
||
|
Vineacre properties
|
||
|
Walker Art Center (Minneapolis), 10/18/1985
|
||
|
Warranties
|
||
|
WCJ Investigative Services v. Peter Bogdanovich
|
||
|
We Only Kill Each Other
|
||
|
Weissman, Eric
|
||
|
Weissman, Wolff, Bergman
|
||
|
Western Voices
(3 folders)
|
||
|
Whereabouts, travel arrangements
|
||
|
Wicked Pavilion
|
||
|
Wilder, Thornton
|
||
|
Will, Peter B.
(2 folders)
|
||
|
William Morris
|
||
|
Wilshire-Canon Ltd. partnership
|
||
|
Wilson, Larry
|
||
|
Winter's Song
|
||
|
W.K.R.P. (with Colleen Camp)
|
||
|
Women, status of
|
||
|
Writers Guild
(2 folders)
|
||
| Box 34 |
1979-1985, Miscellaneous
|
|
|
Anti-Pornography movement - Appeals; hearing, 3/26/1985; Anti-pornography law, 1985;
miscellaneous
(11 folders)
|
||
|
Daily reports - 1984-1985
(3 folders)
|
||
|
Dallas [move] - 7/7/1982;
9/11/1982;
11/2/1982;
12/6/1982;
1/11/1983;
2/11/1983;
3/16/1983; Bogdanovich film partners; Casavettes tribute,
4/30/1983; correspondence; names; press
release, 7/2/1982; publicity; resumes
(14 folders)
|
||
| Box 35 |
1979-1985, Miscellaneous
|
|
|
Dallas [move] - miscellaneous
(3 folders)
|
||
|
Miscellaneous
(4 folders)
|
||
| Box 35 |
1986-1993, A
|
|
|
Academy of Family Films
|
||
|
Academy of Motion Picture Arts & Sciences
(2 folders)
|
||
|
Academy of Science Fiction, Fantasy & Horror
Films
|
||
|
Actors files
|
||
|
Adler, Stella
(3 folders)
|
||
|
Address change
|
||
|
Agents
|
||
|
Allred, Gloria
|
||
|
American Cinematheque
|
||
|
American Film Institute interview (on campus) 5/1986
|
||
|
AFI [American Film Institute]
|
||
|
- Harold Lloyd Master Seminar, 3/4/1992
(notebook)
|
||
|
- miscellaneous
|
||
|
American Film magazine
|
||
| Box 36 |
1986-1993, A (cont.) - B
|
|
|
Announcements
|
||
|
Another You/reviews
|
||
|
Applications
|
||
|
Arden, Sherry
|
||
|
Armenian Project
|
||
|
Astroflash
|
||
|
Author list (Craig Nelson)
|
||
|
Authorization letters (film release)
|
||
|
Axelrod, Ted
|
||
|
Bacall/Bogart
|
||
|
Bankruptcy
(2 folders)
|
||
|
Bantam paperback [Killing of the Unicorn]
|
||
|
Barcelona Film Festival
(3 folders)
|
||
|
Barmak, Ira/The Cecco Group, Russia, 1992
|
||
|
Bel Air Patrol
|
||
|
Bell & Howell Records Management
|
||
|
Bellak, George
|
||
|
Best storage
|
||
|
La Biennale di Venezia, 8/31-9/13,
1992
|
||
|
Bio[graphies]
(2 folders)
|
||
|
Biography,
|
||
|
1991
|
||
|
1992
|
||
|
requests
|
||
|
Blane, Marc
|
||
|
Boetticher, Budd
|
||
|
Bogdanovich, Anna
|
||
|
Bogdanovich, Antonia
|
||
|
Bogdanovich, Louise
(3 folders)
|
||
|
Bogdanovich, Louise's birthday party
|
||
|
Bogdanovich, Louise (immigration)
|
||
|
Bogdanovich, resume
|
||
|
Bogdanovich, Louise vs. Hefner, 4/1985
|
||
|
Bogdanovich, Sashy
|
||
|
Book catalogs
|
||
|
Book orders
(3 folders)
|
||
|
Book reviews
|
||
|
Book, search
|
||
|
Books
|
||
|
Books on tape
|
||
|
Bridges, Jeff
|
||
|
Brown, Richard
|
||
|
Business cards
|
||
| Box 37 |
1986-1993, C
|
|
|
Camera
|
||
|
Camp/Peiffer
|
||
|
correspondence, 1987
|
||
|
1988-1990
(2 folders)
|
||
|
Carradine, Sandra, will
|
||
|
Cassavetes, John
|
||
|
Cassavetes, John - She's Delovely
|
||
|
CBS
- air checks; list and distributors; New tags for CBS News; News - memos; news shows compiled by Steve Foley; News - wardrobe; newspaper clippings; PB's photos; reading scripts; rewritews "This Land is Mine"; This Morning - Alexander MacKendrick; videotape to Michael Eisner; wraparounds - dates and distributors (14 folders) |
||
|
Cellular phones
|
||
|
Center for Visual History
|
||
|
Chain letter
|
||
|
Colorization info
|
||
|
Columbia Pictures titles
|
||
|
Correspondence, 1986-1987
(includes personal, fan mail, and general) (5 folders) |
||
| Box 38 |
1986-1993, C (cont.)
|
|
|
Correspondence, 1988-1991
(includes general, personal, Christmas cards, family) (16 folders) |
||
| Box 39 |
1986-1993, C (cont.) - D
|
|
|
Correspondence, 1991 (cont.)-1993
(includes personal, general, birthday cards, Christmas cards, autograph requests) (13 folders) |
||
|
Corman, Roger
|
||
|
Creative Arts Agency
|
||
|
Criterion Collection
|
||
|
Daily reports -
|
||
|
1/1/1986 thru 4/30/1986
|
||
|
5/1/1986 thru 8/31/1986
|
||
|
9/1/1986 thru 12/11/1986
|
||
|
1987
|
||
| Box 40 |
1986-1993, D (cont.) - F
|
|
|
Daily reports - 1991-1993
(4 folders)
|
||
|
Dayne, Taylor
|
||
|
Dern, Laura
|
||
|
Detective City
|
||
|
Dietrich, Marlene
|
||
|
Directors Guild of America
(9 folders)
|
||
|
Douglas, Reiko
|
||
|
Energenesis Institute
|
||
|
European comedians
|
||
|
Fadila, Natalija, Radulovic
|
||
|
Favorite [motion] pictures
|
||
|
Fax file
(3 folders)
|
||
|
Fife, Graeme
|
||
|
Film festivals
(2 folders)
|
||
|
Film Preservation Act
|
||
| Box 41 |
1986-1993, F (cont.) - L
|
|
|
Ford, John
|
||
|
Fourteen Favorite Westerns [and fourteen favorite
musicals]
|
||
|
Frangakis, Nick
|
||
|
Fuller, Samuel
(2 folders)
|
||
|
Golden Book Awards
|
||
|
Golden Fleece - proposal
|
||
|
Goldstein, Mark vs. Bogdanovich
|
||
|
Grammy, 1993
|
||
|
Graves family correspondence
|
||
|
Harmony Pictures
|
||
|
Harris, Tom
|
||
|
Harvey, James
|
||
|
Hay fever
|
||
|
Health
|
||
|
Hepburn, Audrey
(2 folders)
|
||
|
Hepburn, Katharine
(2 folders)
|
||
|
Hickenlooper
|
||
|
Hitting Bottom, story by Robert Evans, Feb. 18, 1992
|
||
|
Hollywood book
|
||
|
Hollywood on Main Street, 1988
|
||
|
Horses, PB's
|
||
|
Huston, John
|
||
|
ICM
|
||
|
Instruction booklets
|
||
|
Interviews
|
||
|
Invitations, 1988-1989
|
||
|
Invitations and solicitations
|
||
|
Iron Mountain records
|
||
|
Itineraries
(2 folders)
|
||
|
Jaglom, Henry, interview
|
||
|
James, Henry
|
||
|
Japanese Esquire
|
||
|
Japanese films
|
||
|
Karloff, Boris
|
||
|
Kodar, Oja
|
||
|
Krohn, Bill
|
||
|
Last Picture Show,
|
||
|
1989
|
||
|
- correspondence
|
||
|
- publicity
|
||
|
Laser discs
|
||
| Box 42 |
1986-1993, L (cont.) - P
|
|
|
Lennon, John
|
||
|
Los Angeles Historic Theatre
|
||
|
Lyrics
|
||
|
MCA - Home Video
|
||
|
McDowell, Roddy
|
||
|
McMurtry, James
|
||
|
McMurtry, Larry
|
||
|
Marriage - PB & Louise, 1989
|
||
|
Masters, Shelley (notebook)
|
||
|
Medical, 1988
|
||
|
Michelle [Hoogstraten]
|
||
|
Moonlighting
|
||
|
Morfogen, George
| ||